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philadelphia vibraphone workshop 2009

I had a great time on Saturday at the 09 vibesworkshop held this past weekend. The instructors were top pros and educators all dedicated to the cause and that came through without a doubt. The technical display and theory information I took in as much as I could; it let me know right were I stand. The hi-lite for me was when Joe Locke critiqed my solo over blues changes. I was quite nervous and felt that emotion was coming through in my playing. However, Joe heard something different and I felt reassured by his comments.

Let's Sum Up the Workshop

FIRST OF ALL HERE'S AN IMPORTANT TIP: Make sure you click on the link and you're in the virtual classroom.

Next when you post something instead of choosing where you usually post which is up clicking on the word post, NOW you will look down on the left and see the classroom and under that you will see all the 'create' links. Usually you'll just use 'CREATE STORY' and post. that will keep the post in the classroom.

NEXT:
Why don't we each talk about the highlights from the workshop. This is help others remember things maybe they set aside or have forgotten.

Four In One by David Friedman

This tune, "Four in Ony", by Monk, is from an older album of mine, "Of the Wind's Eye", on Enja records, not released on CD.
I thought this would be an interesting addition to Tony's Practice tape and video of "Four in One" The other musicians are: Jane Ira Bloom, soprano sax, Harvie Swartz, Bass(now known as "Harive "S"(!), and Daniel Humair, drums.

Four In One Etude

Ok here's the etude. It should be in good shape. But here's what happened. I came home from a gig and started reading Arthur C. Clarke's 'Rendezvous' and couldn't stop until i finished the book. I really tried!!

Then I ran down to my studio and cranked this out. I added a solo section for you to check out also. I'll add the midi file. Remember it sounds bad (the midi file) but might serve as a good reference.

I put the chords in for the head, and then left them out for the solo section. You should play each bar, write the chords in and study it that way.

Pedal To the Metal - All Parts by Tony Miceli

Here's a dampening etude. Put the pedal down and leave it down for the whole etude. Dampen every note until the very end where it's indicated to let the notes ring. There's also a quite different accompaniment part if you want to use it. Listen to the whole thing. Below is the following:

Just the vibe part
Just the accompaniment part
The Sheet Music