Comping

🎬 Lesson 1: Building a Solid Time Foundation With a Metronome

🎯 Goals:

Rhythm Changes Harmonic Vocabulary - Part 4

In this fourth installment of our rhythm changes harmonic vocabulary series, we continue to develop both rhythmic and harmonic fluency over the first A section. While the rhythmic pattern remains consistent with Part 3 in the first four measures, this lesson introduces new voicings and inversions that shift the color and register of the progression.

Rhythm Changes Harmonic Vocabulary – Part 3: Exploring Further Harmonic Detail

In this third installment of our rhythm changes harmonic vocabulary series, we continue to deepen our approach to both harmony and rhythm within the first A section. This lesson blends familiar elements with new twists, helping you refine your sense of phrasing while introducing a few sophisticated harmonic choices.

Rhythmic Overview

Part 2: Exploring Articulation and Harmonic Detail
In this second lesson on rhythm changes harmonic vocabulary, we shift our focus to articulation and rhythmic variety within the first A section. The exercise begins by introducing the classic Charleston rhythm in the first four measures—a foundational comping figure that adds a strong sense of groove and forward momentum.

Rhythm Changes - Harmonic Vocabulary on the A Pt. 1

In this series, we’ll explore harmonic vocabulary for comping over the A sections of rhythm changes. In Pt. 1, we start with a common and widely used set of standard changes, providing a strong foundation for comping.

One key concept in this approach is treating the top note of each chord as a melodic line—essentially harmonizing a simple, stepwise motion. This helps create a natural, connected flow between voicings rather than thinking of each chord in isolation.

So here is the second of three chord melodies. 

I have the pdf and I have the MalletKat version. You can hear basically what's happening with the sheet music. 

I think you can get a lot out of this. You have to know the chords and inversions really well. I think when I just play the lines it makes sense and you here the harmony. That's the goal right. I will post my own version of stella asap. 

Here's another sort of technique. I just call this Bill Evans Style. I'm sure all pianists do it but I noticed it listening to him. 

Here is a lesson with an etude. I use the tune Green Dolphin Street and I play a chordal solo. There's very little that monophonic here. I tried to hit always with 2,3 or 4 mallets. 

I played a few choruses of Green Dolphin Street and transcibed it. 

I also talk about little bit about this series. I will continue it by doing a video for each of the technical ways I am doing this. 

Check out the transcription below.

Check out the attached PDF!

Check out the attached PDF!