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Playing in 3/4 - Comping Pt. 1

🚨 Feeling in 3 – Pt. 1: Comping in 3/4 🚨

We’re kicking off this new series by exploring comping rhythms in 3/4, one of the most versatile and expressive time feels in jazz. This lesson focuses on short ii–V progressions that develop your sense of pulse, articulation, and balance between hands.

In 3/4, it’s easy to think in strict “1–2–3,” but the best players treat each measure as a flowing three-beat phrase. By practicing these patterns slowly and evenly, you’ll build a natural, swinging pulse that feels relaxed and centered.

Stella - Chord Melody Part 2

So here is the second of three chord melodies. 

I have the pdf and I have the MalletKat version. You can hear basically what's happening with the sheet music. 

I think you can get a lot out of this. You have to know the chords and inversions really well. I think when I just play the lines it makes sense and you here the harmony. That's the goal right. I will post my own version of stella asap. 

Chordal Playing Rev. - Part 1

Here is a lesson with an etude. I use the tune Green Dolphin Street and I play a chordal solo. There's very little that monophonic here. I tried to hit always with 2,3 or 4 mallets. 

I played a few choruses of Green Dolphin Street and transcibed it. 

I also talk about little bit about this series. I will continue it by doing a video for each of the technical ways I am doing this. 

 

Check out the transcription below.

What Is This Etude Called Love

This is of course based on What Is This Thing Called Love. Although back in my very immature days we put a comma after called. 

It's 3 choruses of the tune. First chorus is mostly comping. The second I solo and mostly play the chords separate from the melody and third is just lines. Notice that by the time you get to the 3rd chorus you really don't need chords. That's if you play it well, so learn it well!