Lesson

Here are seven choruses of improvisation on the progression of Life's Blessing.

Again, as I mentioned in the other video playing the melody, the left hand is functioning as accompaniment as well as helping out the right hand to execute lines.

Try to fill out the 8th notes between both hands as opposed to trying to carry everything with the right hand. Also, try to keep the left hand moving. Try to keep changing the spreads of the mallets in each hand as much as possible. For example, in left hand, you can play a whole step and then invert that interval to play a 7th.

Two choruses playing the melody along with the accompaniment.

Feel free to change the rhythms of the melody and try to embellish the melody with grace notes, passing notes, fills, etc.

In terms of the accompaniment, try to get the harmony (including tensions) across either with voicings or counterpoint.

Try to get both hands to help each other out. The left hand can come up to help the right hand play the melody and the right hand can go down to fill out a voicing along with the left hand. Also, dampening is important when playing counterpoint against the melody.

On this video, I'm playing the melody along with any bits of accompaniment that I can attempt to fit in without taking away from the clarity of the melody.

It's a good way to work on the left hand in terms of getting it to focus on melody and accompaniment at the same time.

Hello everyone,

Here's the first video of me playing Life's Blessing. Please excuse the sound and video quality. I'm not too good when it comes to the technical recording and video stuff.

On this video, I'm doing one chorus of left hand comping in which I'm bringing out guide tone lines as well as some bass motion. I also use quite a few 10ths which seems to work well with this type of tune.

If anyone has any questions about this, just let me know.

Ed

This is from the album "Longing". If you don't have this CD you got to buy it. Joe doubles the sound of the vibes through midi on this track. It kills!

Giant Steps

I've been talking with Randy Sutin about recording the vibes. Randy has hooked up with a great recording engineer here in the philly area. He's going to do an in depth look at different ways of recording the vibes. It looks like we're going to video it and he's going to really prepare something great.

Yah Randy!!! This will really be valuable and cool for subscribers to check out. Maybe Randy will comment here and tell us a little about Dahoud.

We've been studying Ed Saindons tune 'Life's Blessing' for a few weeks now. Here's a simple chord melody arrangement of the tune to check out. (It's attached below)

I've left it very simple, you can add some rhythm where needed as well as listen to the other versions on the site and get ideas.

For me a tune like this is a study in chord voicings. This is a very un-standard (meaning not like a Gershwin tune) tune. Only a couple ii Vs, the harmony moving in other ways. So it's a chance to work on chord voicings in a slightly different setting.

Here's a very important exercise to help with chord voicings. Don't skimp on this one. Spend months on this!!

Chienese translation for Chinese Students

開離密集和弦練習(open and closed voicing)

好處：幫助你暢通無阻的演奏各種不同轉位的和聲配置(voicing)
因為練習那些位置上，姿勢上比較高難度的和弦，也能幫助你提升技巧。
如果你覺得在演奏某些和弦姿勢很彆扭，那可能是沒有調整好，要練習調整出更適當的演奏姿勢。

(打開PDF)
以Fmajor7為例：(PDF裡面都有詳細寫出音)

原位F,A,C,E. 然後只把A這個音移到高八度，得到F,C,E,A和弦。
第一轉位A,C,E,F, 然後只把C這個音移到高八度，得到A,E,F,C和弦。
速度要慢慢開始，重點是節拍器開起來，照著節奏打(play in time)。