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Life's Blessing Study Series: left hand playing melody along with accompaniment

On this video, I'm playing the melody along with any bits of accompaniment that I can attempt to fit in without taking away from the clarity of the melody.

It's a good way to work on the left hand in terms of getting it to focus on melody and accompaniment at the same time.

Life's Blessing with left hand only

Hello everyone,

Here's the first video of me playing Life's Blessing. Please excuse the sound and video quality. I'm not too good when it comes to the technical recording and video stuff.

On this video, I'm doing one chorus of left hand comping in which I'm bringing out guide tone lines as well as some bass motion. I also use quite a few 10ths which seems to work well with this type of tune.

If anyone has any questions about this, just let me know.

Ed

A Serious Look at Recording the Vibes

I've been talking with Randy Sutin about recording the vibes. Randy has hooked up with a great recording engineer here in the philly area. He's going to do an in depth look at different ways of recording the vibes. It looks like we're going to video it and he's going to really prepare something great.

Yah Randy!!! This will really be valuable and cool for subscribers to check out. Maybe Randy will comment here and tell us a little about Dahoud.

Life's Blessing Etude

We've been studying Ed Saindons tune 'Life's Blessing' for a few weeks now. Here's a simple chord melody arrangement of the tune to check out. (It's attached below)

I've left it very simple, you can add some rhythm where needed as well as listen to the other versions on the site and get ideas.

For me a tune like this is a study in chord voicings. This is a very un-standard (meaning not like a Gershwin tune) tune. Only a couple ii Vs, the harmony moving in other ways. So it's a chance to work on chord voicings in a slightly different setting.

Open and Closed Voicings - Audio

Here's a very important exercise to help with chord voicings. Don't skimp on this one. Spend months on this!!

Chienese translation for Chinese Students

開離密集和弦練習(open and closed voicing)

好處:幫助你暢通無阻的演奏各種不同轉位的和聲配置(voicing)
因為練習那些位置上,姿勢上比較高難度的和弦,也能幫助你提升技巧。
如果你覺得在演奏某些和弦姿勢很彆扭,那可能是沒有調整好,要練習調整出更適當的演奏姿勢。

(打開PDF)
以Fmajor7為例:(PDF裡面都有詳細寫出音)

原位F,A,C,E. 然後只把A這個音移到高八度,得到F,C,E,A和弦。
第一轉位A,C,E,F, 然後只把C這個音移到高八度,得到A,E,F,C和弦。
速度要慢慢開始,重點是節拍器開起來,照著節奏打(play in time)。

Rudresh Mahanthappa

I was listening to the tune Baladhi. When the guitar takes a solo Rudresh accompanies him. It was really cool. I learn alot from things like that. Because I think sometimes, ok that's my left hand and i can see how simply i can accompany myself.

I want everything as simple as i can get it. I don't always do that, but that's what's in my head.

If you haven't checked out Rudresh, you should take a moment. It's pretty crazy and very interesting music with an Indian influence. Deep sh*&.

Tango Talk

There's a been a lot of talk on the site centering around Tango and Gary Burton. Gary has posted a few comments about all this.

So I've organized some of it here in one place. Check the links out above.

If I've missed anything, please post in the comments below and I'll update all this.

Lesson Category

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