Lesson

Here is lesson two where I demonstrate harmonizing minor and dominant bebop scales. Make sure to run these through all keys with a metronome. Notice how the major and relative minor scales are identical (you only have to learn one that you think of 2 ways ;) Also notice that on the dominant scale you play a diminished chord on the natural sixth step (instead of flat sixth on others) which is a departure from the progression of I7-V7dim-I7-V7dim etc (I falter for a second with this on the video). Please also practice the arpeggios on the chord tones and non-chord tones as well.

Here is my first lesson on applying the drop 2 voicing concept to the vibes. The ultimate goal is to be able to harmonize any melody with a 4 note voicing the way a horn section in a big band might or even to execute solo passages in this style.

Please go ahead and purchase Mark Levine's "The Drop 2 book" here:
http://www.shermusic.com

Here's the Cherokee etude. It's sooo hard, I'm burnt out on it! I give up.

I wanted to play a bass line over a head. You can't do it over a solo really, but over a head I thought it was possible. I think it's a technique that can be interspersed in a tune or solo. I don't think anyone should strive to play a baseline through a whole tune.

Wow!

Here's my final version of CHE RO KEE

The etude is here:
http://www.vibesworkshop.com/story/cherokee-etude-aka-suicide-etude/ton…

At the end of my last lesson with Tony, he gave me two Bill Evans CD's to check out. One of them is Bill Evans' "Alone". Tony said that he learned to play solo vibes from this record.

As soon as a got home I checked it out. First of all, I'm a big fan of Bill Evans. (is hard not to be, right?)so I knew that whatever I was going to listen it was going to be beautiful, emotional and magical.

Here is a two part etude on rhythm changes. The first is a solo with a pdf of the transcription.

Part 2 is a chorus of comping with the transcribed music in a pdf from.

Also are audio files with all the parts and then without the play along parts.

You should memorize both solos and play them in different keys to study them.

This is a solo that me and Tony came up with last week. I had to play it in 12 keys. It was fun! Hope you guys try it as well.

I didn't write the chords down. I think is a good exercise to try to figure them out by ear using the lines.

Have fun!! :)

Here's part 1 of a series of lessons helping you understand the tune Giant Steps.