Play a Great Rhythm Changes in 3 Months - Week 11 by Behn Gillece
π΅ Play A Great Rhythm Changes In 3 Months β Week 11
Over the past six weeks, we've steadily expanded our rhythm changes vocabulary.
We've explored:
π΅ Play A Great Rhythm Changes In 3 Months β Week 11
Over the past six weeks, we've steadily expanded our rhythm changes vocabulary.
We've explored:
π΅ Play A Great Rhythm Changes In 3 Months β Week 10
Over the past five weeks, we've gradually expanded our rhythm changes vocabulary.
We've explored:
β’ Guide-tone lines
β’ Embellished 3rds and 7ths
β’ Chromatic approaches
β’ Diminished and bebop scale language
β’ Chord-tone based improvisation
This week, we begin bringing many of those ideas together.
π Chord outlinings, scale motion, and substitute chord changes.
π΅ Play A Great Rhythm Changes In 3 Months β Week 9
Over the past four weeks, we've been steadily building a melodic vocabulary for rhythm changes.
We've explored:
β’ Guide tones (3rds and 7ths)
β’ Embellished guide-tone lines
β’ Chromatic and flat 9 dominant language
β’ Diminished and bebop scale vocabulary
This week, we shift our focus to another essential improvisational concept:
π Using chord tones to build melodic lines.
π΅ Play A Great Rhythm Changes In 3 Months β Week 8
Over the past three weeks, we've gradually expanded our melodic vocabulary.
We started with:
β’ 3rds and 7ths
β’ Embellished guide-tone lines
β’ Chromatic and flat 9 dominant vocabulary
This week, we continue that progression by introducing two of the most recognizable sounds in bebop improvisation:
π The diminished scale
π The bebop scale
π΅ Play A Great Rhythm Changes In 3 Months β Week 7
Over the past two weeks, we've been developing melodic lines from the inside out.
We started by connecting the 3rds and 7ths, then expanded those guide-tone lines with more melodic movement and common harmonic variations.
This week, we take another major step toward authentic bebop language.
π Flat 9 dominant vocabulary.
π΅ Play A Great Rhythm Changes In 3 Months β Week 6
Last week, we introduced one of the most important concepts in jazz improvisation:
π Connecting the harmony through the 3rds and 7ths.
Those guide tones gave us a clear picture of the rhythm changes progression while keeping the melodic language relatively simple.
This week, we take the next step.
π We're keeping the same guide-tone foundation, but embellishing the lines.
π΅ Play A Great Rhythm Changes In 3 Months β Week 5
Over the first four weeks of this series, we've focused entirely on harmony:
β’ Learning the form
β’ Internalizing common voicings
β’ Exploring different textures
β’ Developing comping rhythms and syncopation
This week, we shift gears.
π We're introducing line exercises.
Just like Week 5 of the blues series, we're beginning with one of the most important concepts in jazz improvisation:
π 3rds and 7ths.
I am pleased to announce that my solo vibraphone book has now been published. The book is called "A Piazzolla Portfolio - 5 Nuevo Tango Pieces" arranged for Solo Vibraphone by Jerry Weir. The five pieces in the book are:
Videos can be viewed here: https://www.youtube.com/playlist?list=PLMNORdmY5DXNZTQUaDN9VNsHL0BBtS2Ef
π΅ Play A Great Rhythm Changes In 3 Months β Week 4
Over the first three weeks of this series, we've built a solid foundation:
β’ Learning the form
β’ Internalizing common voicings
β’ Introducing basic comping rhythms
β’ Developing a feel for the harmonic movement of rhythm changes
This week, we take another step forward.
π We're introducing more syncopated comping rhythms.
I have more, but for now here's the chord melody. Next I just play around for a couple of choruses.
Get this down!