Hello Everyone, here's Part Two of the Four Note Groupings article which will be appearing in the upcoming June issue of the Percussive Arts Society magazine Percussive Notes. This article addresses the use of four note groupings on Dom 7 chords as well as the application of the four note grouping concept on two choruses of Stella by Starlight. Thanks to Gustavo for putting the music examples into Finale.

Hello everyone, still uploading videoclips from a recent quartet gig that featured Rick DiMuzio on sax, Mark Walker on drums, Bruno Raberg on bass and me on vibes. Here's one that we just uploaded. Ed

This is hysterical.

THE MAY 16TH VIBE HANG IS CANCELLED. I HAD A DEATH IN THE FAMILY AND HAVE TO GO OUT OF TOWN THIS WEEKEND. IT WILL BE RESCHEDULED

The play along is too long so I just did the head twice and a couple of choruses. Sorry for the abrupt ending. New to Logic.
Instead of dropping mallets I added applause at the end. Its very encouraging and uplifting:)

Here's a chord etude based on a blues. I tried to use the 'comping sideways idea'. That is moving up and down the scale that would go with the chord.

As with all etudes (IMHO) make them sound good and change whatever you want. But in the end you should have a piece of music.

Next you should understand the concept behind the etude and you should be able to explore this further on your own and in this case with other tunes.

If you do this etude, please post your version!

Another composition of mine...This time with my Band. This is a recording from our first concert.

Hi! Marie asked me to post some new suff of mine. This is a recording of a composition of mine called "Abendgespräch". It's a duo with tenor sax. I just played for the second time with this guy. And he is really great! So enjoy...

Well I finished my little series on the melodic minor scale. I think I'm going to do one on the harmonic minor also. Although I need to study that one first a little more.

Behn is coming over Wednesday to shoot more lessons and I have some more planned as well.

I want to get into writing some more serious etudes, so I'm thinking about that as well. I'm just not sure whether to write the etude over the changes to a tune or make it up all new.

Just letting everyone know that more is on the way.

Chinese translation for Chinese students

把melodic 音階當作調式（modes）的方式來練習。
先演奏一個固定低音，從第一級的melodic 開始打，也就是C melodic scale.
試著即興，然後找出一些Pattern, 或是你喜愛的一些Lick（樂句）
接著換打第二級melodic ，也就是Bb melodic scale, 但是固定低音不變。
再來是三級melodic scale, 也就是 A melodic scale。
四級,G melodic scale
五級, F melodic scale
六級, Eb melodic scale
七級, Db melodic scale
再來回到一級。
有些音階要小心處理，一不小心就是失去音階的色調聲響(tonality)，就聽起來不像那個音階了。
有些音階聽起來就是等待被解決，像是Altered 音階。
練習曲子的時候，可以想想哪些和弦可以用到這些音階。