Here is how you do this.
4 bars at a time. That for the most part 2 chords at a time. At the end of the tune it's one bar per chord instead of 2 in the beginning.

So what you do is print this out.

• Do the first 4 bars in every key.
• Once you have that done, do the next 4

Take your time. Do it also on the piano if you can. Go slowly through all the keys.

Ok Dec 1 at 7pm EST - 00:00 UTC

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Here is My first lesson on Just In Time.

I think I'll do a video and talk about the tune, but here is my 'Starter Pack'.

Print all this out. Write in the chords. It's so important you write them in as it should make you look at the lines and add upper partials, etc.

Of course you should have melody memorized and the chords memorized.

The solo should be played also without accompaniment. Listen to the song and the chords. Can you hear it in the line and in the solo? The first chorus is just quarter notes. The second is with 8ths and triplets.

Mr Pc on vibes and pan

Folks,
Do any of you recording artists keep a diary or journal? Journalist friend needs to know for article she is doing. She's on deadline so if you answered yes please email me right away at
gloriaredpen@gmail.com. I'll put you in touch with her.
Thanks,
Gloria
Good Vibes

Hey everyone,

In this dampening lesson, I explain a technique I call "partial-deadstroking" and its implications for playing ballads, as well as comping on swing tunes!

Hello all,

Just another dampening lesson! This time, we're looking at staccato dampening and dead-stroking, the differences between the two, and where to use them.