🚨 Playing in 3/4 – Pt. 10: Tune Study – “Little B’s Poem” (Advanced Comping)

Part 10 builds on the previous comping chorus by introducing more syncopated rhythms, tighter voice-leading, and additional chord-tone alterations throughout the form. This chorus is designed to feel more conversational and interactive, giving you tools to comp with texture, color, and forward motion while staying grounded in the 3/4 feel of “Little B’s Poem.”

🚨 Playing in 3/4 – Pt. 9: Tune Study – “Little B’s Poem” (Comping Chorus)

Part 9 shifts from melodic ideas to full-chorus comping, applying everything from earlier lessons to the harmonic and rhythmic language of “Little B’s Poem.” This etude explores how to support the tune’s flowing 3/4 feel using clear voicings, smooth voice-leading, and rhythmic patterns that create a relaxed yet forward-moving pulse.

Hey guys, in this lesson I introduced a new thing - chromatic approach note from above

So whenever you practice intervals, triads, 7th chords, you can add the approach notes either above the target or below the target. 

DM me for private lessons!

Just another video from me soloing at the local jam session, on Chameleon.

Probably not a great performance, but i'm ready to read your critics and advices !

Olivier

Hi VW,

Following advice from Tony, i post this video from me playing ATTYA at the local jam session.

I hope this will inspire critics and advices as this is what i'm looking for on my way for progress.

Thanks,

Olivier