🚨 Playing in 3/4 – Pt. 2: Syncopated Comping and Forward Motion

Part 2 builds on the foundation from Part 1 by introducing syncopated rhythms and offbeat chord placements. These variations are designed to create a natural sense of forward motion while keeping the 3/4 pulse grounded. The goal is to develop balance—maintaining a steady groove while adding rhythmic interest and contrast.

In this lesson you’ll:

Red Norvo: Mr. Swing and the Architect of Chamber Jazz

I talked how 1 diminished chord relative to 4 dominant chords (4 major chords) in this videos, and also showed the foundation of voice leading.

I shared the pdf of how one diminished chord(dominant b9 chord) resolve to the I major. please check it and let me know how do you think about practicing voice leading over diminished to I major chord! 

I'll share more my ideas over this soon! stay tuned! 

DM for the private lessons: rupertlo777@gmail.com

🚨 Feeling in 3 – Pt. 1: Comping in 3/4 🚨

We’re kicking off this new series by exploring comping rhythms in 3/4, one of the most versatile and expressive time feels in jazz. This lesson focuses on short ii–V progressions that develop your sense of pulse, articulation, and balance between hands.

In 3/4, it’s easy to think in strict “1–2–3,” but the best players treat each measure as a flowing three-beat phrase. By practicing these patterns slowly and evenly, you’ll build a natural, swinging pulse that feels relaxed and centered.

I talked about the relationship between the diminished chords and dominant chords, then I'll make a series videos of barry harris and diminished chord, please let me know if you have any thoughts or questions!

rupertlo777@gmail.com

Red Norvo: The Architect of Chamber Jazz

my solo over my composition "No Sugar", hope you all enjoy!

Hey guys,

I’m Rupert Lo, and I’m really happy to be part of the faculty here. I’m a vibraphonist, percussionist, and composer based in New York City. I’ll be sharing some of the things I’ve learned along the way—practice concepts, creative approaches, and hopefully some inspiration for your own playing. I also keep a few private lesson spots open each month for students of all ages and levels. My email is below, so don’t hesitate to reach out if you’d like to connect!

my solo over my song "Enter Nowhere", hope you all enjoy!

Here’s what I got down for etude #8 so far. I think I definitely want to revisit this one just to become more fluid with what I am doing, as well as just fix the sillier mistakes that I make towards the end of this piece. Outside of that I think this one went pretty well with that in mind.