🚨 Feeling in 3 – Pt. 1: Comping in 3/4 🚨

We’re kicking off this new series by exploring comping rhythms in 3/4, one of the most versatile and expressive time feels in jazz. This lesson focuses on short ii–V progressions that develop your sense of pulse, articulation, and balance between hands.

In 3/4, it’s easy to think in strict “1–2–3,” but the best players treat each measure as a flowing three-beat phrase. By practicing these patterns slowly and evenly, you’ll build a natural, swinging pulse that feels relaxed and centered.

I talked about the relationship between the diminished chords and dominant chords, then I'll make a series videos of barry harris and diminished chord, please let me know if you have any thoughts or questions!

rupertlo777@gmail.com

Red Norvo: The Architect of Chamber Jazz

my solo over my composition "No Sugar", hope you all enjoy!

Hey guys,

I’m Rupert Lo, and I’m really happy to be part of the faculty here. I’m a vibraphonist, percussionist, and composer based in New York City. I’ll be sharing some of the things I’ve learned along the way—practice concepts, creative approaches, and hopefully some inspiration for your own playing. I also keep a few private lesson spots open each month for students of all ages and levels. My email is below, so don’t hesitate to reach out if you’d like to connect!

my solo over my song "Enter Nowhere", hope you all enjoy!

Here’s what I got down for etude #8 so far. I think I definitely want to revisit this one just to become more fluid with what I am doing, as well as just fix the sillier mistakes that I make towards the end of this piece. Outside of that I think this one went pretty well with that in mind.

🚨 Tune Deep Dive: “Wave” – Pt. 8: Putting It All Together 🚨

In our final lesson, we bring everything from the series together into a full chorus etude over Wave. This written solo combines guide tones, arpeggios, scale fragments, motifs, and tension–resolution lines to show how each concept can flow seamlessly in a musical context.

Hey guys,

I’m Rupert Lo, and I’m really happy to be part of the faculty here. I’m a vibraphonist, percussionist, and composer based in New York City. I’ll be sharing some of the things I’ve learned along the way—practice concepts, creative approaches, and hopefully some inspiration for your own playing. I also keep a few private lesson spots open each month for students of all ages and levels. My email is below, so don’t hesitate to reach out if you’d like to connect!

Here’s what I got down with this etude. I think this one went really well, and I think there’s still things that I can improve with my balance (I definitely want to bring out my dynamics, and bringing up the melody to be clear over that bass line). Feel free to leave any thoughts and feedback on this piece and any advice is very welcome!!