Famed Philadelphia Jazz Saxophone legend LARRY MCKENNA will conduct an online Masterclass Oct. 29th at 7:00 PM EST at www.larrysimprovpage.com
The class is based on jazz improvisation but applicable to all styles of music and highly recommended by ALL of www.vibesworkshop.com faculty members.
The workshop will take place at www.larrysimprovpage.com
What if I want to mark something and come back to it?
Use annotations!
Subscribers can add annotations to each post! So mark as re-read and then click on 'My Account' on the left and when you go to your account, you'll see annotations. There you can see which topics you wanted to come back to.
you can even mark them as PRACTICING NOW, or PRACTICED, or BUY THIS CD, etc.
I can't resist posting you this vid of Ed Saindon in duet and trio!
Shame on me, I don't know that much of his musical recordings, but I truly dig this performance!
And with a special "best of" for me with the third sample, around 4"44: there's so much fun and mischeviousness in that one: they look like kids! :o) I love it!
The phrygian scale is pretty cool because it has a minor 2nd between the root and the second scale degree. That gives it a very exotic sound!
Chinese translation for Chinese student.
如果拿Phrygian 音階和大調（major）音階來比較，Phrygian音階多了降2降3降6降7音。
在第一個音和第二個音中間是個半音，也因為這樣聽起來非常特別。
這個C為開頭音的Phrygian順階和弦，第一個和弦為Cminor 第二個和弦為Dbmajor
你可以聽到這樣的聲響在很多中東音樂、猶太音樂中等。
演奏大調音階跟Phrygian音階，比較看看。
通常在小調中會用到Phrygian，但是跟Dorian, Aeolian比，Phrygian最少用到。
Here is a transcription from Joe's video 'Intros Part 2'.
To obtain the complete Ear Training lesson in it's correct order, click on "Resources" then "Lesson Plans" then "Ear Training by Pathways". This will give you all the lessons laid out from Beginner to Advanced.
Audio Practice:
Audio Lesson:
I really like this because this young teenager totally has the bebop stuff down. Really cool!
This is a clip from the 1960's featuring Canadian jazz musician Don Thompson on vibes. Don is a quadruple threat on vibes, piano, bass and drums and plays them all with virtuosic aplomb. He started out as a bassist with the John Handy Quartet in San Francisco, though he was a professional by age 20. He did a long tenure with Rob McConnell and the Boss Brass, first as a percussionist, then as a bassist and finally as a pianist.