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Dmin7 Gmin7 Etude

I made a cool play along and made a sort of etude. It's a chance for you guys to play over 2 simple chords and play some 4 mallet stuff and some lines. I will make a video and talk about the etude very soon. 

But play this, learn this. Play along with me, and then use this stuff on your own. I use neighbor tones, bridges between whole steps. I.E. D Db C. If this was over a Dmin7 the important notes would be D and C and the bridge between them would be Db. Get it????

Minor ii-V Etude No. 1 by Behn Gillece

We had a great workshop week this year! In the workshop, we spent a lot of time talking about ii-V's in minor and the various structures. This etude covers a few important positions for the half diminished chord; one where the root is in the bottom and the other where b5 is in the bottom. Also, it goes through some important closed and open positions.   

Rhythm Changes - Build Vocabulary on the As Pt. 1 by Behn Gillece

In previous lessons, we analyzed the bridge of rhythm changes and explored how to apply those ideas to other tunes. However, the A sections are just as important, as they follow common harmonic movements found in many standards. By practicing rhythm changes, you're effectively preparing yourself for countless other tunes.

Using Deadstroking and Staccato Dampening in your Lines

Hello all,

The vibraphone is one of the only instruments we play where you have to work extra hard to control the ending of a note. It requires two separate strokes to play and end any given note with dampening, whereas on, say, the saxophone, you can end a note by simply stopping your air. Thus, it's important to figure out how all this relates to playing the instrument in any context, including in lines, so that you're able to play what you're hearing.

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