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Building on the previous etude, this new version expands the lines and incorporates additional chord adjustments to deepen the harmonic exploration in 3/4. By introducing extra melodic lines and refining the chord changes, this etude offers a richer harmonic texture while staying within a straightforward 3/4 groove. It challenges the player to navigate slightly more complex progressions, encouraging a deeper understanding of how to shape melodic ideas within the time signature.

Dampening and Technique

Part 2 of the Dm chord in Israel

Creating Your Own Etudes Pt. 3 by Behn Gillece

Dampening and Technique

Creating Your Own Etudes Pt. 4 by Behn Gillece

Hi Tony

Here's blue bossa.

Talk to you soon

You know what, to be very frank and mildly funny, the big boys and girls can play good 2 5 1 voicings.

Well rounded players can do all this stuff. You can tell how well rounded a player is by listening to them play a standard and comp. For whatever that is worth. I imagine if you are a blue grass vibe player and that's all you care about then you're not worrie about this etude. But if you want to be a decent jazz player this stuff I think is important. 

🚨 Tune Deep Dive: “Wave” – Pt. 8: Putting It All Together 🚨

In our final lesson, we bring everything from the series together into a full chorus etude over Wave. This written solo combines guide tones, arpeggios, scale fragments, motifs, and tension–resolution lines to show how each concept can flow seamlessly in a musical context.

Assignments Due

• Play ii9 V13b9 Imaj9 through cycle of 4ths
• 1st half of Friedman #10
• Donna Lee Play the whole melody once through and then comp the first 32 bars - All rootless voicings
• Cal Tjader - Soul Sauce
  • Was the vibes Cal’s first instrument?
  • What famous pianist did Cal play with in his early days?
  • What style of music is Cal known for playing?
  • What is Cal’s race?