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So here is the second of three chord melodies. 

I have the pdf and I have the MalletKat version. You can hear basically what's happening with the sheet music. 

I think you can get a lot out of this. You have to know the chords and inversions really well. I think when I just play the lines it makes sense and you here the harmony. That's the goal right. I will post my own version of stella asap. 

Another Cool Turnaround! Pt. 2 by Behn Gillece

Building on the previous etude, this new version expands the lines and incorporates additional chord adjustments to deepen the harmonic exploration in 3/4. By introducing extra melodic lines and refining the chord changes, this etude offers a richer harmonic texture while staying within a straightforward 3/4 groove. It challenges the player to navigate slightly more complex progressions, encouraging a deeper understanding of how to shape melodic ideas within the time signature.

🎵 Harmony Without Chords – Pt. 8: Applying Scale & Chord Outlining to Tunes – “Minority”

In Part 8, we take the scale and chord outlining concepts from the previous lessons and apply them directly to a jazz standard: Minority by Gigi Gryce. This exercise demonstrates how a thoughtful balance of linear scale motion and targeted chord tones can clearly express harmony within the context of a real tune — without relying on block chords or dense voicings.

Tune Study - The Jody Grind Pt. 2 by Behn Gillece

Creating Your Own Etudes Pt. 2 by Behn Gillece

Check out the attached PDF!

Tune Study - The Jody Grind Pt. 3 by Behn Gillece

🚨 Tune Deep Dive: “Wave” – Pt. 8: Putting It All Together 🚨

In our final lesson, we bring everything from the series together into a full chorus etude over Wave. This written solo combines guide tones, arpeggios, scale fragments, motifs, and tension–resolution lines to show how each concept can flow seamlessly in a musical context.

Hello everyone,

This lesson is on how to pedal smoothly, which may seem simple, but I find a lot of people don't know how to actually do it.