Skip to main content

Play a Great Rhythm Changes in 3 Months - Week 7 by Behn Gillece

🎵 Play A Great Rhythm Changes In 3 Months – Week 7

Over the past two weeks, we've been developing melodic lines from the inside out.

We started by connecting the 3rds and 7ths, then expanded those guide-tone lines with more melodic movement and common harmonic variations.

This week, we take another major step toward authentic bebop language.

👉 Flat 9 dominant vocabulary.

Minor ii-V Etude No. 1 by Behn Gillece

We had a great workshop week this year! In the workshop, we spent a lot of time talking about ii-V's in minor and the various structures. This etude covers a few important positions for the half diminished chord; one where the root is in the bottom and the other where b5 is in the bottom. Also, it goes through some important closed and open positions.   

Rhythm Changes - Build Vocabulary on the As Pt. 1 by Behn Gillece

In previous lessons, we analyzed the bridge of rhythm changes and explored how to apply those ideas to other tunes. However, the A sections are just as important, as they follow common harmonic movements found in many standards. By practicing rhythm changes, you're effectively preparing yourself for countless other tunes.

Using Deadstroking and Staccato Dampening in your Lines

Hello all,

The vibraphone is one of the only instruments we play where you have to work extra hard to control the ending of a note. It requires two separate strokes to play and end any given note with dampening, whereas on, say, the saxophone, you can end a note by simply stopping your air. Thus, it's important to figure out how all this relates to playing the instrument in any context, including in lines, so that you're able to play what you're hearing.

⇡