Skip to main content

Beginner's Series - Soloing Through The Changes Pt. 8 by Behn Gillece

🚨 Soloing Through the Changes Pt. 8 – Soloing with the Altered Scale

In Part 8, we explore the altered scale (seventh mode of melodic minor) as a way to create tension over dominant chords before resolving back to the tonic or next chord. This scale contains altered chord tones—♭9, ♯9, ♯11, and ♭13—which provide a wide palette of colors for jazz soloing.

Etude 060722 - Can you do this?

Getting your time together can be an enormous amount of work. Well, at least for me it is and I'm still working on it. 

With this etude, you have to play it with your right foot OFF the pedal and tapping on 2 and 4. Not your left foot but your right foot.

 

I don't write the chords in because I want you guys to print this stuff out and really study it. I feel like I'm handing it to you if I write the chords in. I believe you need to do the active work and try very hard to see how all this is connect. 

Tune Deep Dive - Wave Pt. 3 by Behn Gillece

🚨 Tune Deep Dive: “Wave” – Pt. 3: Comping Rhythm Variations in the Intro 🚨

In Part 3, we continue working with the intro vamp (Dm7–G7) of Wave, this time focusing on comping rhythm variations. Instead of just outlining the harmony, we’ll explore how subtle rhythmic shifts can transform the groove and add variety without losing the bossa feel.

In this lesson we’ll: