Most Popular Lessons

This video I introduced a new concept - approach note.

First, we practice the third sequence, then we add a chromatic approach note below the target note.

Email me if you have any questions! - rupertlo777@gmail.com

You know what, to be very frank and mildly funny, the big boys and girls can play good 2 5 1 voicings.

Well rounded players can do all this stuff. You can tell how well rounded a player is by listening to them play a standard and comp. For whatever that is worth. I imagine if you are a blue grass vibe player and that's all you care about then you're not worrie about this etude. But if you want to be a decent jazz player this stuff I think is important. 

Assignments Due

• Play ii9 V13b9 Imaj9 through cycle of 4ths
• 1st half of Friedman #10
• Donna Lee Play the whole melody once through and then comp the first 32 bars - All rootless voicings
• Cal Tjader - Soul Sauce
  • Was the vibes Cal’s first instrument?
  • What famous pianist did Cal play with in his early days?
  • What style of music is Cal known for playing?
  • What is Cal’s race?

Hello everyone,

This lesson is on how to pedal smoothly, which may seem simple, but I find a lot of people don't know how to actually do it.

Check out the attached PDF!

Check out the attached PDF!

Keep in mind, since making these videos, I now play the Dmaj 7 in the 7th bar. I got schooled by David Friedman for doing it the Bill Evans way and now I love the Dmaj7 and know the history of the tune! 

Working On A Cool Tune Pt. 2 - Careful (Jim Hall) by Behn Gillece

Check out the attached PDF!

? Working on Time Pt. 7 – Syncopation and Motion in Bossa Comping

This lesson introduces a new variation, a more syncopated approach to bossa nova comping over the A section of Wave. Designed to deepen rhythmic phrasing and hand independence, this variation more closely simulates the natural, flowing feel of authentic bossa guitar patterns—adapted for vibraphone.