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Alice Coltrane - The vibist - Could Terry Gibbs help us?

We just heard Alice Mc Leod-Coltrane on some of Terry Gibbs special tracks here. I was just wondering... We've heard that she, among piano, harp, organ, also played the vibes... But there are nearly no information on that part of her career. Who said she was great at this instrument too? Bruce was that you?

So I was just wonder, Mr Gibbs, I'm sure you could help us and make her memory live again here... Would you like to share your souvenirs of Alice with us? That would be so great!!

- Marie

Michael Pinto simple Upper Structure triads series part 1

This part I focus on using one upper structure triad and mixing it with the 4 notes of the dominant 7 chord to create a melodic fragment.

I will use the key of C as an example in parenthesis.
In summary, we are using a Maj Triad built off of the 6th scale degree of a V7 chord that leads to I. This could be the V7 of a ii-V7-I. (D-7 G7 Cmaj)
The idea to make the melodic fragment is to use the 4 notes of the V7.
I III V VII (G, B, D, F) and mix them with the notes of a Maj triad built off of the 6th scale degree of the V7(G7). So an Emaj triad. E, G#, B.

Assembling a Tune - Part 1 by Tony Miceli

After you know the chords and the melody what are some ways of assembling tunes?

I believe that without a foundation with the tune, it's going to be hard to 'tame' it. Even though I don't always practice what I preach, knowing the melody and practicing it is a great way to begin this process. I think we can get a lot out of playing the melody over and over. I think most of us (including me) don't put enough time into the process.