Brooke,
Get the voicings here together and then add your own rhythms. Get it?
Also analyze the voices and write in the uppertials and the original chords.
cool?
"Come Rain or Come Shine" by Harold Arlen - Trying to get in some shedding after a little hiatus away from the vibes. Getting back into it with a classic standard by Arlen who wrote so many great songs from the early 30's through the 50s.
Coltrane. ... Again and again ...
Hi folks.
Trying to get back into a groove with practicing after a crazy schedule upon my return from the workshop, which was beyond excellent in every way (meeting new friends, learning, sharing, fun!)
Not to bore you to death - this is for my own accountability. I have (or will) add minor and dom 7ths to this. Running through the cycle as Tony encouraged us to do during the workshop. It's a great concentration type exercise too.
Of note is how much noise this old M55 makes with each beat. Ugh.
Hacking away!
Alternate solo vibraphone version of the classic "Angel Eyes" using some improv and voicing concepts from The Complete Guide to Improvisation and Voicing Concepts for the Jazz Vibist. Fun and challenging for me to work on these concepts. It's one thing writing about the concepts and it's another to get them down where they are fluid, spontaneous and natural.
Hey All,
Here's the scoop on the September Good Vibes.
New this month - Joe Doubleday. Don't know how he escaped me for so long! If you find I'm not playing your favorite vibes player or there's someone new recording, please let me know.
Steve Nelson gets two tunes this month, from two different albums, David Friedman from his newest, a solo by Ted (Piltzecker), a standard from Terry (Gibbs), Joe on Eddie Palmieri's latest, Tony in a duet with Diane Monroe, and Dimitri Matheny's gorgeous rendering of Neil Young's "Harvest Moon" in the Where Jazz Goes mini-segment.
I had a good lesson with David Friedman at the Philadelphia workshop. We focused entirely on pedaling. David pointed out that my sound was very 'dry'. I had never really noticed it, but now I hear it every time I listen to a recording of myself.
I've attached two different practice tapes working on pedaling over "How Deep is the Ocean?" and "You Don't Know What Love Is". I'm playing with the metronome and playing mostly single notes rather than chords.
Critical feedback welcome.