Steve Giordano (gt)
John Swana (tp)
Tony Miceli (vb)

http://www.mogulus.com/mallet_channel

We'll play for a little bit and then I thought we'd talk about playing without a bass player and playing solo on our instruments for a little bit.

I wanted to address something that I have struggled with for a long time- attaching my self-esteem to my ability to play. I have always struggled with technique and regular practice habits, mainly due to the incessant self-flagellation I inflict during the practice sessions I manage to put together. Plus, part of me feels like if the music business is as bad as everyone says, why spend my time learning to be a great vibraphone player only to be damned to eternal penury playing door gigs in generic jazz quartets?

Hey guys heres a live tune from a show I did a month or two ago! Its an original composition entitled "Rewnew". Hope you enjoy it!

Hey everyone!

I'm just back from a very nice lunch with Ed Saindon and his lovely wife Pam... here in Paris! We had a great time and much enjoyed our hang!

This little picture... is for you Tony! As promised we had that drink in your honor!... And... sorry but Ed still has his fingers... on both hands... Gold is gold... :o)

Marie-Noëlle

PS.: Ed says "Hello from Paris"! :o)

This is a great tune with great changes.

Here's a lesson on the tune Conception by George Shearing.

There's a chord melody etude, and a chord study. I also have a chord analysis. That is the chord melody with the bass notes. You should try and go through the tune and put the chords in yourself before you look at the other etudes. You will learn a lot doing it this way.

Above is a link to the video where I talk about the tune and four mallet playing.

I was working on the tune Conception by George Shearing and I had some thoughts I figured I'd pass along. I have an etude and chord study coming also.