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How should I stick this? Any thoughts??

I've been trying to really dive deep into Thelonious Monk recently, but I've found some of his idiosyncrasies are much easier on piano than vibes. I attached an image of his tune "Trinkle-Tinkle." I have the whole thing figured out, except the first two measures at the B section. I want to preferably get to at least 130 BPM on it, but so far I have had no luck. Any thoughts on how to stick this? Alternating vs. doubling vs. paradiddles maybe? A 4-mallet approach?

Also, I hear sax players fake this section a lot, so if faking seems like the only option, how would you fake it?

A path to solo playing 3

Using "Like someone in love" (Eb) to study solo-vibe playing. Having started with creating a counter line to the melody with the root notes of the accompanying chords we are now starting to incorporate chords. See the previous installments (a path to solo playing 1 and 2) for the lead sheet. More detailed and in-depth study? Contact me for a Skype or Zoom lesson.

Notes from Gary Burton Lesson (1975) on Chega de Saudade

The following notes were taken down right after a lesson with Gary during my studies with him at Berklee during the 70s.

Gary Burton Lesson
March 6th, 1975
Vibes Solo – Chega de Saudade (No More Blues)

Remember Dynamics – They make a simple line sound remarkably dramatic. Use more swells and de-swells in your line. When you use swells and dynamics, it gives you more time for space because each line is so important and stands alone.

Autumn Leaves My personal Reharmonization (G. Perin) -V

Hi everybody,
today I'd like to show you my personal version of Autumn Leaves. Make sure to download the attached pdf before watching the video so you can follow the reharmonization.
It's arranged for my project called D.O.V.E. (drums organ vibes ensemble).

www.giovanniperin.com

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