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When Will The Blues Leave by Andrew Nitolli

This is my ensemble at the University of the Arts. They're playing the Ornette Blues 'When Will the Blues Leave'.

They're a very talented bunch. Andrew Nitolli is the only freshman in the group and he's doing a great job keeping up with the older students.

Andrew is kicking ass here at the school. He's blowing through a couple transcribed solos and playing them in all the keys, and working out voicings and chords, etc.

He's a former student of Joe Locke and I know Joe is pretty proud of Andrew!

Not a Beautiful Friendship

Man I've been working on the tune Beautiful Friendship and it's kicking my ass. The melody, and the phrasing feel really unique to me. And I'm trying to play the tune right down the middle and it's really really hard.

I'm finding I have to kind of study all the spaces in the tune so I can play the melody right. Next the tune's second A doesn't resolve which is a little unusual. And sometimes I want to resolve it just like the last A!

Quick Lick #2

Here's another lick for January. It's in 2 parts. The lick is attached to each part as a pdf and I play it. I would advise transcribing the lick yourself first and then checking the music.

I usually don't even put the music up but this lick is a little more involved.

What instruments does this pertain to?

Lesson Category

Difficulty

Access

Simple Latin Groove by Tjaco Oostdijk

Hey Everyone,

I was just browsing through some old practice tapes and found this file. I actually thought this was a nice one to share. It's an idea of a simple latin groove over some basic changes. I think I play just I-VI-II-V and then move to IV-IVmin and move down chromatic to the one chord.

This is just a basic idea of getting a latin feel playing 4 mallets.

I hope you like it and get some ideas out of this.

Oh, and don't pay attention to the end....

TJ

Contextual Based Improv Duet by Robert MacDonald (Vibes & Trombone)

This is the first of 3 improvisation, which were conducted in a Melbourne city park in the rotunda at midnight in the midst of a ferocious summer storm.
It is the first of many different improvisations i have recorded in different contexual settings around the city of Melbourne, Australia.
The duet contains trombone and vibraphone, and all music is original.
I look forward to any comments,
Rob