Delaware Workshop 2011 - Why Play the Same Rhythm With Both Hands
Here David talks about solo playing and makes the point about syncopation. Why play the same rhythm with both hands? Play another rhythm with the left hand.
Here David talks about solo playing and makes the point about syncopation. Why play the same rhythm with both hands? Play another rhythm with the left hand.
Hello guys and M-N, here's a vid of me practicing the melody of a beautiful composition by Joe titled "Love Is A Planchette". Joe brought the lead sheet when he visited for a rehearsal for our upcoming CD. He'll be here in July at Berklee for a duo concert with Joe and myself playing two vibes. It should be a lot of fun.
This clip is one of three that I posted up on my YouTube page. Pretty funny about my two golden retrievers Gibson and Jackson coming in when I started to play. I'm thinking they either dig or hate it and want me to stop playing. Probably the latter.
Ed
Remember: I talk about bass lines in the top part of the chord. I do know that technically that's not a bass line. But there's something that a bass line does rhythmically (besides the low part of the chord) that helps the time. And I think you can put that anywhere.
In the past year, it's been a project of mine to get to a place where I can play as effortlessly over odd meters (11, 13, 15 and 17) as in 4, 3, 5 and 7. This is the result of having checked it out for a few months. So this vid dates back to about March of 2010. Since then, it has become like second nature. In fact I enjoy playing over those extended odd meters more than anything else. I have my good friend Katisse to thank for getting me involved with this stuff. If you have any questions as to how to practice this or some thoughts of your own, please feel free to post.
Here's a new piece that I composed.
It's called "Warrior"
The piece is in 4 movements connected together.
I.Love
II.Hope
III.Pain
IV.Revenge
Hope you like it,
The piece is still highly improv based but I've started to notate it.
Hey everyone, please welcome Casey Cangelosi. We're hoping Casey is going to be our marimba specialist on the site! Here's his first test video. It's not perfect but I thought I'd post it anyway!
This is me playing Kai Stensgaard's brilliant "Concerto Mexicana"
The Piece is in Three movements.
The second and third movement can be found here:
http://www.youtube.com/watch?v=gu_4bcEX7MQ
http://www.youtube.com/watch?v=fZJ_BAIEVhs&feature=related
hope you like,
Joe
This is a transcription of Bach's 2 part invention no. 13. The range has been adjusted to 3 octaves so it can be played on vibes and marimba. Both parts are 90% arpeggios, so using 4 mallets will make it easier to execute the lines. You can download the manuscript [HERE]
Note to Tony: How about allowing uploads of pdf files on video posts so I don't have to keep putting in these external links to the manuscript?
Hi everybody...I thought it's time to post a video here, since i'm always watching inspiring videos of the great colleagues here!...
It's a composition of mine called 'French Song'.
Although there is nothing like a french character to it anymore, since the piece developed into something else, i kept the original title...
It's written in 5/4...hope you like it ;-)