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I just watched a fantastic version of Tony playing this tune solo. There's also a beautiful version of David and Tony playing duo on this tune. Some players play this tune in C, but here we are in Eb. Bill Evans plays it in D and Ab (half chorus in each key). It's nice do this transposing thing with Wine and Roses ala Bill Evans (F and Ab, half a chorus in each key). This is a fun tune to play on with nice changes. There's a nice solo transcription of Jerry Bergonzi playing this tune that can be found on the web.

Sometimes I wonder if I don't post too much ! Will you tell me if I don't bother you with all my posts ? .... lol
Actually I work a lot these days and just discovered good recording sofware ( Logic Pro from Apple - GREAT ! ).
So .... I am happy to share with you. Just that.

The dutch vibist René ten Cate did a couple of videos here at vanderPlas Baileo.
Here is the first one on the LW35 with the PRV60 vibe amp.

Hope you like it.

Nico
www.vanderplasbaileo.com

David and Peter came to our improv classes and took over for a bit before finishing up with this great tune Lover. Apologies for missing the beginning

Here's a version of my good friend Mark Carlsen on bass and I playing Irving Berlin's How Deep Is The Ocean. This is a great tune to play. Some of my favorite versions would be Chick Corea's (a somewhat reharmonized version titled Now He Beats The Drum) on the album Now He Sings, Now He Sobs. Of course, Bill Evans' version on the Exploration album from 1961 with Scott LaFaro and Paul Motian, and Keith Jarrett's version (with Gary Peacock and Jack DeJohnette) from his week at the Blue Note in 1994.

PERCUSSION FRIENDS (more info on our Facebook Fan Page)

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This years PF Academy Week will take place on the Conservatory of Amsterdam from the 6th till the 14th of july. What will we offer you:

- Special guest coachings by Tchiki Duo and percussion professor Peter Prommel.

- Days from 10:00 to 18:00 and on some days we will plan some extra private classes, or a guest tutoring in the evening.

Here is a Rhythm Changes Etude. It has harmonic generalization and harmonic specificity, like Behn talked about in his last few lessons. It also has some blues lines. The phrasing is great in this etude. I'll attach my performance of it as well as the pdf. Whatchya got!?

Hi guys, here's another clip from this past Sunday's session with Mark Carlsen on bass. We're doing Jobim's classic Wave.