This video I introduced a new concept - approach note.First, we practice the third sequence, then we add a chromatic approach note below the target note.Email me if you have any questions! - rupertlo777@gmail.com
🚨 Soloing Through the Changes Pt. 7 – Soloing with the Diminished ScaleIn Part 7, we explore the half-whole diminished scale as a tool for soloing over dominant chords in the blues. This symmetrical scale creates tension and color that can…
🚨 Playing in 3/4 – Pt. 8: Tune Study – “Little B’s Poem” (Motivic Development)In Part 8, we continue exploring “Little B’s Poem” with a focus on developing short melodic motifs over a full chorus. Rather than relying on long lines, this…
🚨 Playing in 3/4 – Pt. 7: Tune Study – “Little B’s Poem”In Part 7, we shift into the modern 3/4 / 6/8 hybrid feel of “Little B’s Poem,” exploring a full chorus of melodic ideas that highlight the tune’s contrasting sections. The opening…
Hi, Anyone ever use 3/8" inside Diameter Silicone tubing for M-55 post insulators? TIA!~ This is the Amazon description: 3/8" ID Silicon Tubing, JoyTube Food Grade Silicon Tubing 3/8" ID x 1/2" OD 10 Feet High Temp Pure…
Does anybody have a recommendation for a mallet (4 mallet playing ) that would be a grade softer than the Malletech Dave Samuels soft DS11
or the Malletech Dave Friedman DF12 which I currently use but I think are no longer made. I tried…
🚨 Playing in 3/4 – Pt. 6: Tune Study – “Up Jumped Spring” (Bridge)Part 6 continues our work with “Up Jumped Spring” by focusing on the bridge section, where the harmony and melodic flow shift to create contrast with the A sections. This…
Hi everyone. I've had a Malletech Omega for about 4-5 years at this point and have used it extensively for gigs and practice. This past year or so, I've noticed a frame creak, on and off, pretty much whenever I press down the…
🚨 Playing in 3/4 – Pt. 5: Tune Study – “Up Jumped Spring”In Part 5, we apply the rhythmic and melodic ideas from earlier lessons to Freddie Hubbard’s “Up Jumped Spring.” This study focuses on melodic lines that outline the harmony of the A…
🚨 Playing in 3/4 – Pt. 4: Expanding the LineIn Part 4, we continue developing melodic phrasing in 3/4 by working with longer lines and wider interval movement. These examples stretch across barlines, helping you feel how phrases can flow…
Here is the answer: Find the shape you like and come up with different sticking, then go through different scale!!! If you don't know what is the rootless voicing, no worries! we'll talk more later!!come up with your own sticking…
I transcribed a chorus of Milt Jackson on "On Green Dolphin Street" from his album with the Oscar Peterson Trio, Very Tall. I think this recording is so beautiful. I've been digging Milt way more recently than I ever have, and really…
Hey guys, I shared how I normally practice appregio as my warm up exercise, and this way really helps me to familiar my instrument. Find your own sticking and ways to go through all the possibilities! -practicing every chords…
🚨 Playing in 3/4 – Pt. 3: Melodic Shapes and FlowIn Part 3, we move from comping to linear phrasing, focusing on short melodic shapes that naturally fit the 3/4 feel. These lines are designed to help you internalize how melody flows within…
Red Norvo: Mr. Swing and the Architect of Chamber Jazz
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🚨 Playing in 3/4 – Pt. 2: Syncopated Comping and Forward MotionPart 2 builds on the foundation from Part 1 by introducing syncopated rhythms and offbeat chord placements. These variations are designed to create a natural sense of forward…
I talked how 1 diminished chord relative to 4 dominant chords (4 major chords) in this videos, and also showed the foundation of voice leading.I shared the pdf of how one diminished chord(dominant b9 chord) resolve to the I major. please…
I have a concert in a few days. It's with The Philadelphia Mallet Quartet. That's me, Behn Gillece, Oliver Mayman and Morgan Walbridge. We are each going to play a solo tune in the middle of the concert. That's a little nerv racking! …
2 months ago - 4 comments
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