This tune is off of logans album entitled Ethos. Its a duet logan wrote that I really like the vibe of and thought some of you guys might enjoy it! I don't like how the vibraphone was recorded (it is very unclear) but sometimes you get what you get....

enjoy!

This is the tune I was playing with Tony in Holland in the "This is why Marie is so hip" video. It's got a beautiful melody and beautiful, simple changes, which nevertheless pose a challenge. I like to play this tune as a solo piece as well.

Behn Gillece shows you how he plays Bye Bye Blackbird

Cool lesson by Mike Pinto using upper structure triads on the tune My One and Only Love

Today was awesome!!! After about 4 hours of sleep and a huge breakfast I hit the road for Philly. With only two wrong turns I was about 5 minutes late.

Today started out a little rough, only got about 3 hours of sleep and had to run off to music theory, mail my application for that whole composition thing and then I ran down to the local drum store to pick up some mallets (Balter 23Rs, after seeing them in his product video). I was able to practice for quite a while today, finished really getting into Billie's Bounce and I started into Tony's lesson on Take the A Train but didn't get to far in. I still need to run through all the books sometime to double check I didn't accidentally throw something in the wrong folder.

Here's another lesson, that was in the reject pile. But maybe it will be of use to someone. Sort of a reminder lesson.

Hello, my name is Chris Varga and I'm new to the site. I was based in Chicago, but have lived in Seoul, Korea for quite some time now.
At Tony's urging, I humbly post a track from my recent album...
The record features Kenji Omae on sax, Han Woongi on guitar, Clark Sommers on bass and Mark Ferber on drums.

here is part 3 where I discuss improvising using the upper structure triads on the dominant chords for "My One and Only Love"...

For example...
In the A section you have a B-7b5 to E7 to A-....
for the E7 I use a G triad as the upper structure so the voicing looks like this:
G# B D G moving to an A C E for minor.
Now when improvising try to create melodies that utilize the notes from an E7 (E G# B D) and mix in a G triad (G B D) so it might look like G G# B D E. Move around the octaves and try to make melodies that resolve to the A minor chord.