What a cool tune. It seems like the chords don't go together, but they do.

I.E. the bridge
B Ab Db Bb

i think it of it as sort of
Eb- Ab7 Db Bb Eb- D- G C

Sort of and very cool!

In this part of the series, I talk about feel and proper dynamics of playing a bass line on vibes. I also look at chord substitutions on the F blues.

Revisiting an American classic.
“In a Sentimental Mood”, by Duke Ellington.

Hi guys make sure to download the pdf so you can follow my harmonization of Stella By Starlight.
Feel free to post your own version so I can make comments on your playing.

If you like to know more about my new books/music please visite my website:
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Hi guys make sure to download the pdf so you can follow my harmonization of Blue Bossa.
Feel free to post your own version so I can make comments on your playing.

If you like to know more about my new books/music please visite my website:
www.giovanniperin.com

Follow me
★ facebook https: //www.facebook.com/giovanni.perin/
★ instagram: https://www.instagram.com/giovanniperin/?hl=it

Hello everyone!

Doing something a little bit different and doing a couple lessons on playing basslines. Basslines, I think, are extraordinarily helpful both for practical reasons (like while playing duo and getting new textures) and also just to force you to truly understand the changes of a tune. The first part of the series is on note choice.

This is a steady stream of weaving through the changes of Donna Lee

Can you memorize it and play it through different.

While you're doing this and playing this, you have to see the chords in the back of your head.

Interesting Chord Inversions

I know I've done this before. But I've been doing with all my students lately. Here's another version.