Most Popular Lessons

Expanding Vocabulary Over the A Section

Continuing our exploration of rhythm changes, this lesson focuses on another set of substitute chord changes for the A section. While the general framework remains the same, this version features a different set of passing dominant chords, adding more forward motion to the progression. The focus here is the first A section, which you can tell by the turnaround in the last two measures.

Behn Talks About Playing With Two Vibes Pt. 1

Check out the attached PDF!

🚨 Playing in 3/4 – Pt. 4: Expanding the Line

In Part 4, we continue developing melodic phrasing in 3/4 by working with longer lines and wider interval movement. These examples stretch across barlines, helping you feel how phrases can flow beyond the measure while keeping a consistent pulse. The challenge here is to maintain clarity, evenness, and direction through the longer gestures.

In this lesson you’ll:

Check out the attached PDF!

Check out the attached PDF!

These are my videos for lesson 1 of the 15 lesson vibe course. I'm also attaching my Listening Assignment notes here.

Alone at Last Track by Track

Moon-child/ In Your Quiet Place

Firstly, I don’t think this piece could have been named any differently. It just emits such a soundscape energy, and so far its my favorite from the album. There’s so many bold decisions compositionally as well.

Green Mountains/ Arise Her Eyes

🚨 Playing in 3/4 – Pt. 9: Tune Study – “Little B’s Poem” (Comping Chorus)

Part 9 shifts from melodic ideas to full-chorus comping, applying everything from earlier lessons to the harmonic and rhythmic language of “Little B’s Poem.” This etude explores how to support the tune’s flowing 3/4 feel using clear voicings, smooth voice-leading, and rhythmic patterns that create a relaxed yet forward-moving pulse.

Steve Weiss Mallet Workshop Preview Pt. 3 by Behn Gillece

Interesting Open Voicings Pt. 3 by Behn Gillece