Blue bossa Sandro Pallua solo vibes
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days of wine and roses Sandro Pallua solo vibes
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Henry Mancini's The Days of Wine and Roses - Clarinet, Vibes, Upright Bass
Henry Mancini's The Days of Wine and Roses played by Billy Novick on clarinet, Mark Carlsen on upright bass and myself on vibraphone. Hoping to dub the audio recording to the video footage at some point, but for now this is the clip with the video sound. (Sorry for the buzz).
TOTM - Here's That Rainy Day - Ways To Approach The Etudes Pt. 1 by Behn Gillece
This is something new I'm starting where I break down the etudes into small chunks. Please let me know if you find this helpful!
Oblivion by Patrice "practice" Guillon
Hey,
Another great practice video from Patrice, who still needs my help to post! ;-)
Here is his comment :
"A new version of Piazzola masterpiece. Giovanni's beautiful version reminded me the previous one i recorded two years ago. I decided to make a new try. I play bass and guitar part on keyboard as well on this one. .... "
Enjoy guys and thanks Patrice for sharing your work!
- Marie
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Photo from recording session at the home music studio on 3/22/15

Fun recording session and hang at the house on 3/22/15 with Billy Novick, Mark Carlsen, Gustavo Agatiello and myself. Songs recorded at the session: I'm Old Fashioned, Jobim's A Felicidade, Thad Jones' A Child is Born, My Buddy, Mancini's The Days of Wine and Roses, Golson's Yours is My Heart Alone and two compositions by Mark titled And Marvin is Monk and Hymn for Mr. Haden.
Gliding
Here's something unusual; a improvised vibes and drums duo. AND, it's not fast or particularly rhythmic.
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Good Vibes Radio April '15 Update
Hi all,
Spring is finally here, but since we still have snow on the ground here in New Jersey it doesn't yet feel like it. I think it will just turn up and surprise us one day.
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TOTM - Here's that Rainy Day - Chord Study by Tristan
Here's some harmonic stuff I've been working on over Here's that Rainy Day. The idea was to work out interesting chord voicings for all the significant melody notes, then put it together as a chord melody piece. Eventually I'm going to put it through all the keys, adjusting voicings as necessary. I've found that letting the melody dictate the voicings can lead to some interesting places.
The attached pdf doesn't follow the recording exactly. I've just notated the basic voicings, but left out bits of the melody, counter lines, arpeggiations, etc. These are some of the ideas I'm using:
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