Real simple, play this etude. Make it sound good. Look at the music, I put in some of the changes. you should be able to figure out the rest. 

After you figure out the cords, look at each bar and add all the upper partial so you know it's being played. A lot of these voice things are rootless voicings.

I didn't use a bass track because I want you guys to hear the harmony work all on its own without a bass so you can see that these are rootless  and that they work even if you're playing only Vibes or maybe Vibes and singer or Vibes in sax any of those combinations.

Check out the attached PDF!

Here's a second part to the other lesson titled "A Way To Practice Soloing and Comping Together".  
I took a couple other examples about how to practice this. Ultimately, you just do it and try to make music. I know for some of you it won't sound great in the beginning. I always think that if you keep doing it and doing it, eventually you play something good and recognize it and learn from it. Know what I mean???? 

Check out the attached PDF!

There's an incredible guitarist in Philly. His name is Elijah Cole. He's a monster. 

We did a duo session. And I'm about to put it up on band camp, but I thought I'd post a track here for Subscribers. I'm such a nice guy huh? 

A little abstract (is that the word?). But it's how I practice playing over tunes. 

Check out the attached PDF!

Every chord has a scale that in each tune fits in the context of that tune. That's because chords can have more than on scale that goes with them. I.E. Cmaj has Ionian and Lydian. 

This video talks about ways to practice these scales and then learn to weave through the scales. The scales are your basic material, like colors to a painter. Once you know all this, then you make phrases and sounds that really represent the harmony. Sure there's all types of advanced stuff to do, but if you can't do this, then you can't do the advanced stuff.