Hello all,
Here is my last lesson on chord scales for now. This one focuses on minor and half-diminished chords, and where to play certain scales. I will also soon upload an etude to go along with these lessons, making use of the scales over a tune like "All of Me." Maybe I'll also do "Just in Time."
Let me know if there are any questions!
Hello everyone,
As with the previous lesson on dominant chord scales, I want to stress that just playing scales correctly won't necessarily produce the best improvisational content, and I think learning scales has a limited value. But there is value, and it's essentially figuring out what extensions happen on what chords.
A scale, at the end of the day, is just a 13th chord, with a 1, 3, 5, 7, 9, 11, and 13 all put within one octave, and knowing this makes scales much more useful to me. So as you practice scales, remember this and figure out what chords they relate to.
Some choruses based upon Tony Miceli's written out chorus which is available for download from The Vibes Workshop. The first chorus is Tony's written out solo while the subsequent choruses are improvised using some of Tony's specific notes, phrases and ideas from his written out solo. Tony's solo was posted as "Orthinology Simple Solo" very recently.
I hope you're working on Just In Time.
No matter what level you are at, it's worth it to work along with us.
Even just learning the melody and the chords is something.
If you're knew at this, read through one of the etudes or solos. Think about the chords and what's happening. Maybe you will have questions.
That brings us to the pop up class for subscribers. Here's a chance for us to come together and talk about stuff, around this tune (Just In Time).
Hey All,
Put December 5th on your calendar for the December edition of Good Vibes. 8pm eastern,
jazzon2. And Dec 8 at 4pm.
There's a sprinkling of holiday/winter tunes, a dash of standards, a dollop of rock and pop remakes on Where Jazz Goes and my always interesting patter. Learn why the theme song from Frasier, played by Gary Burton and Friends, is named "Tossed Salad and Scrambled Eggs."
Shows are also posted after they air on JazzOn2 on mixcloud.com. Search Good Vibes with Gloria Krolak.
Hey everyone,
Here's part two in this mini-series. In this one, I focus on dominant 13 (#11) chords, explain where to play them, why they exist, and how to solo over them. And, most importantly, why you have to treat every dominant chord you encounter differently, depending on context.
Let me know if you have any questions!
Hello all,
This is a topic I've been wanting to cover for awhile, and I finally made a video on. I think this is something that jazz education (at least in my experience) hasn't covered enough. It's how, in the key of C, you need to play differently on an E7, compared to a Bb7, compared to a G7, compared to an F7. They all have different scales and extensions that accompany them.
It's not all hard science, but a lot of it is! I heard someone say once that 99% of music is teachable, mathematical facts, and 1% is magic. So learn the 99%!