Check out this great tune written by Christos and performed at the 'Zeltsman Marimba Festival' (ZMF) 2013 in Arcata, CA.
The tune is written for 2 marimbas and one vibraphone and it's called Rodinia.
Enjoy
I posted this in the thread with the link to the PBS Tiny Desk concert with Gary and Julian Lage, where this piece is performed. I don't know if anyone caught it though, so I'm reposting it here. This is also recorded on Gary's latest album 'Guided Tour'. It was written for Astor Piazzolla. I really like the harmonic movement.
I recently bought Jim Casella's vibraphone arrangement of Satie's Gymnopedie No. 1, which you can get from Steve Weiss. Aside from being a beautiful piece, I found it to be a great exercise in mallet dampening and independence. In particular, in some places you need to dampen AFTER the following note has been played rather than just before.
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First 3 people that promise to do 1 lesson a month minimum for 3 months.
I'm giving away 3 copies.
This is the AABA structure of Sophisticated Lady according to the Real Book, with an attempt to include some of the descending 7th chords that characterize this piece. My timing's crap and it needs a solo section.
So, there's this lick I'm struggling with -- see the attached PDF and mp3 (from midi). I want it to go at about quarter note equal 160 (the speed of the midi), but I'm not even close, maybe about quarter note equal 100-120. Any suggestions beside repeat until I get it or die of frustration? (there has been a lot of this so far :-)).
Chord Scale Chart from The Complete Guide To Improvisation
Here is a chord scale chart that lists available chord scales for various chord types. This is a two page excerpt from the Chord Scale Theory chapter of the book.
Chord Scale Chart: https://docs.google.com/file/d/0B0TwrpqjL6dQRkxaT05WWHRqdlE/edit?pli=1
Hi Everyone,
My February show will reflect the World Vibes Congress by playing almost all of the professional players who were there and made such invaluable contributions.
The only exception is Ed Smith -- I don't yet have any of his recordings but am expecting them in time for the March program.
I will talk a bit about the conference and what a treasure the jam turned out to be.
The first hour will include these (and others):
"New Shores" by Stefan Bauer
"Summertime" with Gary Burton (when he was only 21) and Stan Getz
"The Dog Days" Behn Gillece
