Lesson

I'm always wondering how to play a busy bebop tune and add chords.

I also don't think we have to play a lot of chords with a busy melody as busy melodies usually have a lot of information in them.

So I tried here to simply add only notes for the function of making sure the harmony was clear. I personally like this sound a lot.

Try to play it and see what you think.

Very simple but gets you improvising in minutes. And it's kind of fun!

A must watch.

Hey all, I'm starting a new lesson series with the goal of transferring some pianist language over to the vibes. I am a pianist and a vibraphonist, so a lot of my practicing has been doing just this.

The first is on Oscar Peterson, who is actually, I think, one of the best-suited pianists to adapt to the vibes, and I play with this stuff all the time.

Our first Pop Up Class! We studied Green Dolphin Street!!!!

I pick a time announce it, which ever subscribers can make it, we study something and then we perform! That is is Pop Up Class!

Here is our performance!

I'm always looking to see and hear how people play in different situations and whether it holds my attnetion.

David Patrios is a great mallet player. Just look how he plays in this duo!

He's on a .... is it a Balifon? Or do I just call it a marimba? I don't know.

But he makes great melodies.

This just reminds me what we need to make music. We don't need 4 mallets going on all the time. For most of us that's a good think. We need strong melodies with chords interspersed!

Transcribe my solo.
1st chorus - quarter note solo
2nd chorus - simple solo

Play my solo, then do yours.
Your first chorus needs to be quarter notes
Second chorus, simple and swinging.

I've attached a file with only brushes. You can use the to play along with.