Hey everyone,
I think this is pretty cool. "Pitch bending" is something I've been messing around with on the vibes, especially in a blues context, but also in ballads and really any setting you want. Let me know what you think!
I have been playing the changes of Just In Time, lately.
And I always think in terms of solo playing and holding four mallets.
When you're playing lots of notes, you don't need chords. At this tempo, I'm mostly playing 8 notes in a bar. I need most of the time, 2 notes to spell the chord. Once I have cycled through the changes and played the head, the harmony is there. I don't need. In fact if I do a good job playing through the changes on the head, I can even make mistakes and get back into the changes and the listener should be fine. So I think!
For this first part, memorize the first four measures of the tune. Pt 1b coming shortly!
Hey everyone,
A quick lesson on selective dampening. This is a subject around dampening that isn't talked about very much, but I think it has a lot of potential! Let me know what you think.
Ok, I was going to put the chords in, but I always get mad at myself when I do that. I'm making it easier for you guys and that's not how you get good!
So you put the chords in, put the extensions in and analyze the music and play it.
Can you talk about it? That means you have the harmony memorized.
Look for the hidden triads. I.E. -> a C triad over a Db and the chord is Eb13b9. Do you understand what just happened here? Can you explain it for others?
Do the work and pass it on.
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