Beginner's Course for Lines Pt. 6 Exercise by Behn Gillece -V
Check out the attached PDF!
Check out the attached PDF!
Hi Tony
Here's blue bossa.
Talk to you soon
Check out the attached PDF!
Friedman 13
Please note that I've made a reference to "flat 4" in the pentatonic scale for this video. I'm not sure why, haha! But here is a basic summary of the scale tones for Fmin pentatonic over an F7 chord.
If you think of the main scale tones of F7 being mixolydian, you would have F-G-A-B-C-D-Eb. Fmin Pentatonic would be F,Ab,Bb,C and Eb. So basically leave out scale tone 2 from the mixolydian, flat the 3rd, leave 4 alone unlike what I said in the video, haha! Then just leave out scale tone 6 and you have Fmin pentatonic.
Hope that makes sense :)
Check out the attached PDF!
Check out the attached PDF!
Hey everyone,
In this first lesson on pedaling, I explain how I view the pedal, how it's different from the piano, and how to set it up properly. Next we will talk about legato-pedaling, staccato-pedaling, pedaling rhythm, and half-pedaling.
I got this idea from Ed Saindon, but I use the term a little differently now. "Dampening effects," to me, are different sounds you can produce while dampening. This includes deadstrokes, half-dampening, and dampening speed.
Check out the attached PDF!