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Play a Great Rhythm Changes in 3 Months - Week 8 by Behn Gillece

🎡 Play A Great Rhythm Changes In 3 Months – Week 8

Over the past three weeks, we've gradually expanded our melodic vocabulary.

We started with:

β€’ 3rds and 7ths
β€’ Embellished guide-tone lines
β€’ Chromatic and flat 9 dominant vocabulary

This week, we continue that progression by introducing two of the most recognizable sounds in bebop improvisation:

πŸ‘‰ The diminished scale
πŸ‘‰ The bebop scale

Play a Great Rhythm Changes in 3 Months - Week 7 by Behn Gillece

🎡 Play A Great Rhythm Changes In 3 Months – Week 7

Over the past two weeks, we've been developing melodic lines from the inside out.

We started by connecting the 3rds and 7ths, then expanded those guide-tone lines with more melodic movement and common harmonic variations.

This week, we take another major step toward authentic bebop language.

πŸ‘‰ Flat 9 dominant vocabulary.

Play a Great Rhythm Changes in 3 Months - Week 6 by Behn Gillece

🎡 Play A Great Rhythm Changes In 3 Months – Week 6

Last week, we introduced one of the most important concepts in jazz improvisation:

πŸ‘‰ Connecting the harmony through the 3rds and 7ths.

Those guide tones gave us a clear picture of the rhythm changes progression while keeping the melodic language relatively simple.

This week, we take the next step.

πŸ‘‰ We're keeping the same guide-tone foundation, but embellishing the lines.

Play a Great Rhythm Changes in 3 Months - Week 5 by Behn Gillece

🎡 Play A Great Rhythm Changes In 3 Months – Week 5

Over the first four weeks of this series, we've focused entirely on harmony:

β€’ Learning the form
β€’ Internalizing common voicings
β€’ Exploring different textures
β€’ Developing comping rhythms and syncopation

This week, we shift gears.

πŸ‘‰ We're introducing line exercises.

Just like Week 5 of the blues series, we're beginning with one of the most important concepts in jazz improvisation:

πŸ‘‰ 3rds and 7ths.

Piazzolla for Solo Vibraphone New Book on Sale! Videos online!

I am pleased to announce that my solo vibraphone book has now been published. The book is called "A Piazzolla Portfolio - 5 Nuevo Tango Pieces" arranged for Solo Vibraphone by Jerry Weir.  The five pieces in the book are:

  • Libertango
  • Oblivion
  • Invierno PorteΓ±o
  • Tango Final
  • Adios Nonino


Videos can be viewed here:  https://www.youtube.com/playlist?list=PLMNORdmY5DXNZTQUaDN9VNsHL0BBtS2Ef

Benny Goodman and Terry Gibbs 1950

I didn't know that Terry Gibbs played with Benny Goodman. He's playing a Deagan Imperial, which was known for a great warm tone. I had one in high school that I bought for $290. The guy I bought it from was convinced it had only 2 1/2 octaves, which was why he was selling it so cheaply. I showed him it had 3 octaves, but then my dad kicked me in the foot and said, "It's not polite to argue."

Play a Great Rhythm Changes in 3 Months - Week 4 by Behn Gillece

🎡 Play A Great Rhythm Changes In 3 Months – Week 4

Over the first three weeks of this series, we've built a solid foundation:

β€’ Learning the form
β€’ Internalizing common voicings
β€’ Introducing basic comping rhythms
β€’ Developing a feel for the harmonic movement of rhythm changes

This week, we take another step forward.

πŸ‘‰ We're introducing more syncopated comping rhythms.

Play a Great Rhythm Changes in 3 Months - Week 3 by Behn Gillece

🎡 Play A Great Rhythm Changes In 3 Months – Week 3

Over the first two weeks of this series, we've focused on building a harmonic foundation:

β€’ Learning the form
β€’ Internalizing common voicings
β€’ Hearing the movement of the harmony
β€’ Developing familiarity with rhythm changes

The rhythm was intentionally simple so all of our attention could be placed on the chords.

This week, that changes.

πŸ‘‰ We're introducing comping rhythms.

Many of the voicings in this lesson will already be familiar from Weeks 1 and 2. That's by design.