Hi vibes lovers today i'll talk about:
How to Chose Extensions on a Dominant 7th Chord
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for more info: www.giovanniperin.com
A vibe player named Ray K. sent me this. This is how he saves the felt on his vibes. he attaches this wooden piece he made and it keeps the felt off the bars and his felt stays useful and new for a long time.
Here's a note Ray sent me
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Hi Tony,
This guy has been around for a while with this approach to holding mallets. And now he has a student it seems. That's great, who knows where it will wind up!
"Blackbird" by Paul McCartney. One of my favorite songs recorded today at home while we have a blizzard outside. Hope you like it.
This video might be a little similar to Tony's "marking the tune" video, in that it is another way to outline the changes, and make the "pretty notes" flow together. Anyway, it was inspired by a banjo player: Danny Barnes who I first heard of from this sight a long time ago when Tony posted a link from his blog.
I love playing ballads!
Here's a version of "My Foolish Heart" that I was happy with from a recent trio gig with the great Drew Gress on bass and drummer Johnathan Blake.
Questions, ask away...
Thanks for listening.
-Tyler
“Someday My Prince Will Come” - my students and I have been working on this song the past week. Working on solo playing with the vibe students and improv concepts with the piano students. Fun stuff.
Randy said recently, I'll let the music speak for itself.
It's taken a long time however I'm really getting into Walt Dickerson and his eccentric style.
Sorry but I can be a skeptic of eccentric players, thinking they're just BSing, but Walt is not IMHO. He's trying to use the instrument a little differently. Now I don't necessarily think we have to use the instrument differently, but When I listen to this cd I really like his trying to play it a little differently, if that is what he would say he is doing.
I'm really falling for his playing.
Here's my take of etude #15.
I appreciate how these etudes are really written for this instrument. In a way, Dave Friedman is like the Chopin of the vibraphone. These etudes really make you develop a fluency with the articulation and phrasing that pedaling and dampening can offer. I'm looking forward to getting through this book!