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Steve Weiss Mallet Workshop

 

Here I am comping over Green Dolphin Street. Nothing else just me comping. For me it's important to have to have a melody in the top voice and then fit everything in from the top down. Maybe it seems like the way to do that is from the bottom up? I disagree. This is not a piano, we can't make our voicings clear with a solid bass line. We need the upper partials to make it all happen. Does that make sense? If not discuss this with me.

Editorial Note: You could also use this to Play Along with!(TJ)

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