Hola a todos.

Comparto el audio de la transcripción que estuve realizando sobre un solo de Chet Baker (las primeras dos vueltas) y un solo de Tony que está en la ultima vuelta.
La tonalidad es Sol menor, pero cada coro tiene 6 compáses más (de G-6) al fina. Esto se debe a que en la grabación de Chet Baker hicieron esa variación en la forma.

Gracias.
Tomás, desde Argentina

Hey everyone,

Another lesson on comping. This time I'm looking at octave displacement (a lot less crazy than it sounds in this context) and rolls -- two things vibes players could do more, I think!

I just modified this post to point to Marianne's video from the grounds of the Pennypack Trust. Music is now also higher fidelity than the prior link. :)

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I mentioned this in the coffeehouse a few weeks back. It is out now, although there is an issue with iTunes pricing we are working to correct, so we aren't advertising it widely yet. It is available on Amazon at the correct price and is on or will be on most streaming platforms.

Enjoy!

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The Pennypack Suite

Randy and Marianne Sutin

Wanted to share a short arrangement I did of Chi-Chi with my friend Alex on sax! The style change from bossa to swing in the head came funny enough from messing around singing the melody and body-drumming. It was a lot of fun to make and produce - I made it a goal to do something like this when the pop-up class started, and I'm happy I actually followed through with it.

Oh also, on that note, please pardon my absolutely incredible mixing/production skills, ha...still learning! Thanks for checking it out.

Hey Everyone!

New series on comping. In the first few of these lessons, I'm just going to be talking about rhythm while comping and techniques to get a good feel. Obviously, metronome work, recording yourself and listening back, playing along to records, etc. will all help you get a good feel in the minutia of things, so make sure to practice all that, but here are some interesting, tangible techniques to add into your comping to give it some more swing on the macro-level.

Let me know if anyone has any thoughts!

Hey everyone,

Here's another Bud Powell lick from his tune, "Bouncin' with Bud." I like this one because it's simple! I think it's super important when playing bebop to still construct melodies to ground the music, and Bud does that great.

Hey everyone,

Here's a solo vibes version of A Night in Tunisia I recorded the other day. Tried to keep the epic 16th note solo break, the interlude, and the shout chorus in my arrangement. I slow down a tiny bit on the solo break, but oh well -- I am not Bird yet!

This is a trio version of my dampening etude#7. I recorded it in 1969 with the band I had then, with Steve Khan, guitar, John Miller, bass and Marty Morel, drums. Steve just discovered the reel to reel tapes and got the name of an engineer from Randy Brecker, who digitalised it. I thought you all here would get a kick out of it because most of you have played etude #7 in my Dampening and Pedaling book.

Hey everyone, I'll see you tomorrow! 7pm EDT.

https://temple.zoom.us/j/9846618495