I just received a gift in the mail - a CD of Ed Saindon in concert @ the University of
New Hampshire, w/ Dave Liebman, Matt Wilson and David Clark. Beautiful concert, replete with
gorgeous originals("The Last Goodbye", "Hope", "The Healing") and re-imagings of standards
("Moon River", "Green Dolphin Street"). There's a solo/duet version of "Black Orpheus" which really shows how the grown-ups do it ... intense listening going on between Ed and

Hi all,

It’s a long time since I wished I could share the attached file with you. It’s in my "special collection" and I love it.

Last April when Joe Locke came to Paris his gig with the Moutin Brothers was recorded on the radio. Of course, I was there… and Florian too!

This is Joe’s solo intro piece... in full... and beautiful!

It fits rightly with Dana’s recent drop 2 lessons and Joe agreed that I posted it... I’m thrilled!

Enjoy!

P.S. : Jean-Michel, listen to what you missed! :o)

When I did my arrangement of White Christmas, I used an open voicing on the Cmaj7. Turns out that it was a Drop 2 of a Major 7th (Closed G B C E -> Drop 2: C G B E). Now I can put a cool name to that voicing.

Since St. Patty's Day is coming up, I started working on Drop 2 voicings for "Danny Boy". I am starting out with a closed voice arrangement. I will use that for the first repeat. On the second repeat, I will play the tune again with the open Drop 2 voicing. It is starting to sound really nice.

Barry

Lennie Tristano, George Shearing... 2 masters of drop 2 voicings. (Was Shearing?) I'm going to listen to more Lennie, but I played on the piano today and I thought of him immediately.

I've been really shedding all this. A couple points I'm thinking.

Don't take those scales and voicings literal. Any sideways movement of chords can have drop 2s.

Make up a simple line in a key or mode. Harmonize the melody in closed position (move the chords sideways), then do drop 2.

Check this Stefon Harris video out!

what about friday night? i work straight thu the weekend. also thursday night.

theres a small chance i'd be around wed. night.

A colleague of mine is active in a site for Progressive Rock fans. We finally found a link between both our passions: a PR band with mallet percussions!

Don’t expect the vibes to be a star there. It’s first of all Progressive Rock:

- Guitars rule: bass, acoustic and electric guitar, chapman stick, warr guitar, and an instrument unique in the world: The Leode. That very large handled guitar, created by the player himself, after he had lost the use of his left arm in a road accident.

in 2001 i was a member of jupiter hollow. my originally role was playing b3, rhodes, over time we melted in the gigs ... i found this track of a recording session we did.. never was released ... thought you all might enjoy a bit of oregon music

T

I was playing the C6, Fdim chords (with the various inversions) in Dana's drop 2 lesson. As I was playing, I heard the song, "Once in a While", and thought it might be a good tune to apply the Drop 2 voicing for chord melody.

I would like a little guidance on the application of the lesson. I understand the example of playing the C Maj Bebop scale with the C6 or the diminished chord underneath, but I am not sure about applying chords to an arbitrary melody.