Hola a todos!

Comparto acá mi humilde versión del estudio n°11 de "Dampening and Pedaling".
Traté de utilizar varias técnicas de dampenig para desarrollar la interpretación del estudio y de paso practicar y profundizar un poco más en el manejo de las mismas. Usé Pivot dampening, slide dampenig, hand dampening y, además, alternatig dampening y same mallet dampening.

Gracias por el espacio , espero que les guste!

Tomás

Hey everyone,

Here's the third and final part of my series on comping over a medium swing F blues, and how to give it that rhythmic drive a full rhythm section has. This is an interesting lesson, because I, myself, am still figuring it out! We're talking about sliding -- like a glissando, and how to use it the way guitarists and pianists do.

Let me know if you guys have thoughts on this! I obviously don't think it's applicable in all situations, but I think it certainly has some use in swing and rhythm music.

Hola a todos.

Comparto el audio de la transcripción que estuve realizando sobre un solo de Chet Baker (las primeras dos vueltas) y un solo de Tony que está en la ultima vuelta.
La tonalidad es Sol menor, pero cada coro tiene 6 compáses más (de G-6) al fina. Esto se debe a que en la grabación de Chet Baker hicieron esa variación en la forma.

Gracias.
Tomás, desde Argentina

Hey everyone,

Another lesson on comping. This time I'm looking at octave displacement (a lot less crazy than it sounds in this context) and rolls -- two things vibes players could do more, I think!

I just modified this post to point to Marianne's video from the grounds of the Pennypack Trust. Music is now also higher fidelity than the prior link. :)

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I mentioned this in the coffeehouse a few weeks back. It is out now, although there is an issue with iTunes pricing we are working to correct, so we aren't advertising it widely yet. It is available on Amazon at the correct price and is on or will be on most streaming platforms.

Enjoy!

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The Pennypack Suite

Randy and Marianne Sutin

Wanted to share a short arrangement I did of Chi-Chi with my friend Alex on sax! The style change from bossa to swing in the head came funny enough from messing around singing the melody and body-drumming. It was a lot of fun to make and produce - I made it a goal to do something like this when the pop-up class started, and I'm happy I actually followed through with it.

Oh also, on that note, please pardon my absolutely incredible mixing/production skills, ha...still learning! Thanks for checking it out.

Hey Everyone!

New series on comping. In the first few of these lessons, I'm just going to be talking about rhythm while comping and techniques to get a good feel. Obviously, metronome work, recording yourself and listening back, playing along to records, etc. will all help you get a good feel in the minutia of things, so make sure to practice all that, but here are some interesting, tangible techniques to add into your comping to give it some more swing on the macro-level.

Let me know if anyone has any thoughts!

Hey everyone,

Here's another Bud Powell lick from his tune, "Bouncin' with Bud." I like this one because it's simple! I think it's super important when playing bebop to still construct melodies to ground the music, and Bud does that great.

Hey everyone,

Here's a solo vibes version of A Night in Tunisia I recorded the other day. Tried to keep the epic 16th note solo break, the interlude, and the shout chorus in my arrangement. I slow down a tiny bit on the solo break, but oh well -- I am not Bird yet!