Simple Dominant line
Simple line I like over dominant chords
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Getting Church - Part 1
Probably should have called this "Getting Bluesy", but I think of it as "Getting Church". African American Church musicians are some of the funkiest, bluesiest best players I have ever seen. It's incredible what some people get out of church. I would never have gotten that kind of musicality out of my church. The music was lame as I remember.
I'm not even religious, but I have gone by some churches and wanted to go in and listen and watch really bad!
So.... Get Church.
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Rootless Voicings pt. 1 - Rootless Funk Etude
An experienced vibe player plays a lot less roots than an inexperienced one. We know that roots for us do not move the harmony, the upper partials do. I've talked extensively about this on vibes workshop.
Also with a bass player there's no need to play the bass notes right? So work on your rootless voicings.
One thing I've talked about is the following. Play these chords:
Fmaj7
E triad / F
Emin7
That's what the chords look like without the roots. That's a ii V I in the key of C. Play it you'll see.
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7WOB - Blues for Alice - SBYI1
Blues for Alice
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CYDT - Simple Exercise - But Hard
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TOTM - There Will Never Be Another - Using Augmented Triads Pt.3 by Behn Gillece
8MAD - Minor ii-V Progression - Day 2
Day 2: We've changed the top note of each chord to a G. No matter where the harmony goes, this is the note all the chords hover around. These are closed position chords.
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Technique - Separate Beg Borrow Steal - An Over View
This is one way I think of playing the vibes. The great think is this way of thinking gave me many many ideas and concepts for practicing!
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CYDT - Take Any Chord and Move it Up and Down the Scale
CYDT (Can you do this)