Hello,
I'v decided to work on my blues...so here's my version of Tony's blues super pack transcription. It's a bit slower than the original tune so that I'm able to play it until the end.
Please let me know what you think !
Now i've to play it in other keys.
Olivier
I just love this stuff!
Just talking about the tune and ways to play it. Come up with your version!
You should be able to do this. If you can't then just practice it! Don't worry about why.
Here is a "Blues Super Pack". A whole bunch of stuff on the blues. There are two videos, one is embedded here and talks briefly about what this is. The second is attached and looks at the two etudes also attached here.
Dampening and Pedaling Friedman Etude #5: https://youtu.be/tnIN1oyfdAU
So what - head, improv, comping: https://youtu.be/9jLtYycwDm8
Gb, Bb, Eb, & F minor open-closed voicings: https://youtu.be/-a6A7F679eI
Bb blues improv: https://youtu.be/nvHan2zgulk
Hey everyone,
I think this is pretty cool. "Pitch bending" is something I've been messing around with on the vibes, especially in a blues context, but also in ballads and really any setting you want. Let me know what you think!
Dreams make a difference.
Dreams Blog:
https://www.pipervibe.com/post/dreams
Supporting vibes players with Good Vibes
https://www.pipervibe.com/post/good-vibes-pipervibe-dot-com
Hey everyone,
Here's the third and final part of my series on comping over a medium swing F blues, and how to give it that rhythmic drive a full rhythm section has. This is an interesting lesson, because I, myself, am still figuring it out! We're talking about sliding -- like a glissando, and how to use it the way guitarists and pianists do.
Let me know if you guys have thoughts on this! I obviously don't think it's applicable in all situations, but I think it certainly has some use in swing and rhythm music.
I think this is a great way to learn. You transcribe it and study it. Any questions you ask!
I think it's better than someone simply telling you what to do. What do you think?