Skip to main content

Six Mallet Marimba solo

Hello Everyone,

This is a six mallet marimba solo. This video is from a tour about 2.5 months ago. This show was at 11am, and I did not feel the greatest, staying up all night before, typical tour! We were abit late getting to the place so we only had 25minutes to unpack. No time for warmup of any sort.

I find tours very interesting. You have to play your best no matter how you feel warm or cold. I think it's a very good experience touring it really forces you to be on your A game.

Happy Birthday Tony - From Norbert - Monk Wishes

Hey Tony!
Happy 50th!
Congratulations for making it so far & keep going!
Thanks for this pool of great people & ideas, keep it going, too!
I was thinking much about what would be appropriate to post for such a special event.
What came to my mind finally was the long tradition amongst Austrian jazz musicians interpreting Thelonious Monk, because of the great potential they see in his compositions.
So I wrapped one for you!

Easy method to accomplish really nice chordal rolls. For vibes as well as marimba

Playing beautiful 3 and 4 mallet chordal rolls is a goal all vibes and marimba players should work toward. Yes, vibes players mostly use the pedal to sustain notes, but sometimes using a roll is better. Here is a simple, easy to learn method you can use to play really nice rolls for 3 and 4 part chords. The trick is to have each mallet strike the bar at a different time, creating smooth legato sound.

RIP Terry Breese

I want to acknowledge the life of a teacher and friend who passed away suddenly at the age of 61 last week Saturday May 8, 2010.

I started takeing drum lessons from Terry when I was 7 yrs. old. I continued with him until I was 15 yrs old and had a friendship with him through out my life. Terry was an excellent teacher, always encouraging, supportive and gave me a good reality check a couple of times when I needed it. He was never demeaning, just a regular guy, and a very nice and caring one at that.

Sarabande from Bach's Sonatas & Partitas for Violin by Ted Wolff

This piece, a sarabande from Sonata IV in D minor, is a slow thoughtful piece and a good 4 mallet exercise. Use the 4 mallets for melody lines as well the block chords. For instance, in bar 6 you’ll find it handy to use 4 to play the wide intervals in the line. The same approach should be used in bar 23 where the melody line jumps around a lot.