Double Image!
The "vinyl" I had of double Image was worn out in a week! Beautiful music!
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The "vinyl" I had of double Image was worn out in a week! Beautiful music!
Clip of "All The Things You Are" with Tim Ray on piano and myself on vibes. This was from a concert last week at the Sahara Club in Methuen, MA. They have a jazz series named Jocko's Jazz that has been going on every Tuesday night for many years. Great appreciation to Jocko Arcidiacono for supporting jazz and jazz musicians for so many years in this area. Thanks also to Jocko's wife Anne and to Dick for taping the proceedings. Such a great audience. They listen and really appreciate the music. Lastly, thanks to the great pianist Tim Ray. It was such a treat for me.
Fill in the chords yourself :-). It will help you study the harmony. Write in all the upper partials. You can do it!
Minority is a study of 9ths and 13ths, the upper parts of the chords. So this is a study in upper partials!
Practicing at home. Spontaneous version of the classic "Somewhere over the Rainbow" written in 1939 by Harold Arlen for The Wizard of Oz.
This is Michel Petrucciani playing the most beautiful version of "In A Sentimental Mood" I've ever heard. I decided to share it here because Tony recently requested ideas for solo playing and I forgot to mention this one.
Chinese translation for Chinese students.
Tony把這首曲子分成三個部分,這裡我們會學到第一部分。
(先不要去看Leadsheet,直接練練看以下的和聲進行)
以下是這首曲子和聲進行:
Cminor9 - Dminor9 - G13b9 (F Ab B E)
常常見到的和聲進行是
Cminor9 - Dminor9b5 - G13b9
但是這首曲子比較特別,是接到2級minor9,而不是minor9b5 。
*放到不同調裡面練習
*5級和弦用到的是rootless 13 和弦,沒有根音(root)沒有五音(5th)。
*學會這個和聲進行你就已經掌握百分之30的曲子了。
Here is a look at the tune Minority.
The Nearness of You - listening to the great and one of a kind pianist Art Tatum today on the drive into Boston. Still unbelievable every time I listen to him. Working on the left hand and the straight four to the bar feel on this classic Hoagy Carmichael song.
Inspired last week from the beautiful melody and harmony of this piece written (for organ) by Bach for the church and performed in 1792. I was especially inspired by the brilliant 1976 interpretation of the great pianist Alfred Brendel. I sketched out a lead sheet with melody and chords based upon the music. This is my interpretation from the lead sheet.