Hi Guys this month I'd like to talk a bit about the blues.
This is a lesson for beginners that want to approach the blues form!
If you have any question please leave them in the comment below or write me an e-mail: giovanniperin87@gmail.com
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Serenata is a very old standard, written in the 1920s I believe by Leroy Anderson (I think). You don't hear it too much but I've always liked the melody, and the changes are fun to play on.
I've been working on Groovin' High the last couple weeks, so I wrote a little etude on There Will Never Be Another You using its main thematic idea. I had to tweak it here and there to fit the chords and harmonic rhythm. I still need to work on playing it well, but I wanted to share it.
-Tristan
On a semester break working on this beautiful song composed by the late Kenny Wheeler, a wonderful musician and composer who left us in September of 2014. I just learned about this song last week from Joe (Locke) who was here for a visit. Of course Joe played it unbelievably and in a way only he could. It's a beautiful song but somewhat tricky to improvise on melodically and make the changes. Here's my first stab at it.
Happy Holidays!
Ed
Hello to everyone:
Check it out this video where I accompanied one of my students during a lecture to promote in Spain the “IV Workshop de Improvisación e Vibráfono” and the “European Vibraphone-Festival & Workshop 2016". When one my students (called Sergio, 14 years old) watched the duet of David Frideman and Tony Miceli playing "Samba de Orfeo" and he did not stop to ask me if he could prepare, so, this is part of the performance recorded by the audience.
I was messing around with dampening yesterday and discovered a cool trick to make a "bending" sort of sound.
Basically, (1) play any note at a low volume, then (2) play the note a half step or a whole step above at a higher volume and immediately dampen it after with the same mallet you hit it with. The effect is that you hear the sequence E-F-E (e.g.) as three distinct but smoothly connected notes, even though you've only attacked two.
Hi all – sometimes it's intimidating to post – because there are so many GREAT musicians/vibist on this site – but I see it as motivating. Please know: I am practicing an audio software for a class that I teach and thought it would be a good idea to record my efforts on the piece by Tony Miceli titled "watermarks" only up the improv section! anyway there's obviously accuracy issues and this week I'll slow it down get into the woodshed and workout phrasing issues – but let me know what you think anyway. (Especially Tony) thanks for commenting if you have time