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Looking for some help on Angel Eyes, and ballads in general. I feel like there is just so much rhythmic possibility in ballads, help me figure out what I am missing!

Thanks!!

-Drew

You guys know about the 15 min. rule. I keep a timer with me, in fact I keep it on my desk. When my schedule is absolutely nuts, I figure out 15 min. here and there or I can practice. Since it's only 15 min. is not that big of a deal. A block out a couple times turn on the timer on and focus and practice for the 15 min. I find this could really help on those crazy days where you seem to have no time to practice all. I just thought I would pass along to you guys.

Flamenco Sketches Etude - Pt. 2 - Etude Concept by Tony Miceli

Hey VWS!

Here's pt. 1 of a three part lesson on turnarounds. There are so many, so I tried to stick to the critical, and most practical ones. Enjoy!

Keeping lines sounding really clean and clear is tough with vibes. It's easy to let notes ring together and just as easy to let notes ring together that shouldn't be. We have 3 tools to control ringing - the pedal, mallet/hand dampening, and using dead strokes.

I use dead strokes all the time to keep my lines sounding as clean as possible. This video clip demonstrates one example of where using dead strokes can make your playing sound just a bit better. The better you become at listening for notes ringing that should'nt be the better your playing will sound.

This is Tony's Funk transcription that he posted. The reason you can't hear then background track is because it's going through my headset.

here is the etude...

http://www.vibesworkshop.com/audio/funk-etude-1-tony-miceli/tonymiceli/…