Here is a little piece of music(see attachment) from a theater show I'm doing n Januari. This is a short introuction to the third part of the show. I thought this would be a good exercise for sticking.
A lot of guys are always asking: "What sticking should I use?" The thing with sticking is that you can always do it in a lot of ways.
Bars, resonators and their tuning.
Base of the vibes' sound ofcourse are the bars, and in a huge amount the (tuning of) the resonators.
I'll try to explain in the next article how to tune the bars, how to tune the resonators, and how to get the best benefit from the resonators.
Bars.
It is widely know that vibe bars have their fundamental tuned, and the first overtone to a double octave.
Real simple. Pick something. Play it and record it listen back and do it over and over for an hour or so.
Record then listen to it. Just keep the cycle going and don't interrupt the cycle.
Real simple real easy. Maybe a head to a tune? maybe a solo? Maybe a written out piece.
Play and record it. Sit and listen to it back immediately and then play and record it again and do this over and over.
Trying to sort some stuff out, but I have some things in mind over the xmas break. I'm finished teaching at school (Univ of the Arts) and have a month off.
I'd like to get on line a lot over the month and hang out with subscribers. Maybe Piper and Saindon and Joe will join me for some? That's in the works. Just have to get my schedule together.
I've asked Patty Franceschy to do some lessons during these meet ups with the stevens grip.
I even asked Harvey Price who just wrote a book of Milt transcriptions to do some mini Milt lessons!
Here are some more charts from Ed. These go along with his videos.
I talk a little about bass lines and how to work on them.
Check out Patty playing the Friedman etude No. 13. What's great is since her right hand is injured, she's using just her left. During her injury that lasted 6 weeks she practiced like a maniac with just her left hand. I BET HER LEFT HAND is pretty happening now! huh?
Is something like this helpful for you?
check the link above
So I was thinking of making some sort of chord etude and I thought, why don't I just comp through a tune. Then if you're working on comping you could learn this etude and analyze it.
So I took the changes to 'I Loves You Porgy' and comped simply through it. I played mostly quarter notes to keep things moving.
I'm curious is this is helpful to any of you.
Hopefully if this is after the Chris masterclass there will be a recording of it. If you don't see one, then email tony at tony@tonymiceli.com and check if there is one.
Here are 2 lessons for dominant chords.
Any jazz musician has been tripped up by the bridge of Rhythm Changes, the 4 dominant chords. It's easy to fake your way through the bridge and difficult to weave your way through the bridge.
Make sure you study dominant chords and scales and ways of getting through them!
I simply grouped to lessons that would be in two different places here for you to check out.