Begging, Borrowing and Stealing. Things vibe players must do to play the instrument!
Behn came over today to pick up some mallets we started talking about melodies and playing lines. So I asked Behn to play a tune with only melodies and lines, no chords and then talk about it. Here's what came out.
Here's another lick for January. It's in 2 parts. The lick is attached to each part as a pdf and I play it. I would advise transcribing the lick yourself first and then checking the music.
I usually don't even put the music up but this lick is a little more involved.
This article will delve into the family of mallet instruments made of tuned wooden bars, and will take a look at three locations where these instruments are prevalent - North America (jazz and classical), Africa (Shona music), and Central America (Guatamalan folk music). This is not meant to be an exaustive list, but will serve to highlight the vastly different music that has evolved in these places, and the fascinating variety of instruments that have been designed to play the music.
I've been thinking about ballad playing, so I thought I'd put my thoughts down on video!
David sent this video over of him demonstrating to a student the idea of playing laid back. So now we get to check it out as well. It's a beautiful solo! I love his lines and his feel! -- Tony Miceli
We now have a very thorough stuff of voicings here! There's so much to learn.
I thought this was interesting and might get some talk going. Schoenberg is a tough one for me. Bartok, Shostakovitch and Stravinski I get, and I can hang with Schoenberg for a bit but not long!
Sometimes, well many times, I listen to music that I want to influence me. I'll do this and then go play the vibes. This really helps me. Listen to Debussy for a while and then start playing your instrument and improvising. What's going to come out? Well, your reflections on what you've just heard.
We're are all influenced musically all the time so use that for your practicing.